Nollywood actress, Chief Elizabeth Anjorin, aka Lizzy Anjorin, popularly known as Lizzy Anjorin, has received a clean bill of health after being cleared of all criminal allegations in a high-profile litigation involving her, Saheed Mosadoluwa, aka Ibile, Harmony Gardens and Estate Development Limited in Ilorin, Kwara State.

The case, which was filed as a direct criminal complaint, was heard at the Upper Area Court I in Ilorin, the capital of Kwara State.

However, things took a favourable turn for Anjorin as the state Attorney General stepped in, took over the case, and applied for a termination amid proceedings.

The presiding judge, Hon. Yunus Kayode, ruled in favour of the Attorney General’s request, which resulted in the case’s automatic dismissal.

ALSO READ: Iyabo Ojo calls out actress Lizzy Anjorin on social media for cyberstalking

The ruling, which was handed down on Wednesday, March 12, 2025, read thus: “Upon a direct criminal complaint made by Muazu Baba Yusuf, Esq., dated February 26, 2025, and after listening to A. M. Abdulraheem, Esq., for the complainant and Prof. O. Y. Abdulhamid, Esq., with I. M. Adedo, Esq., Taofeeq Olateju, Esq., and Abdullahi, Esq., for the defendant.

“Having listened to the submission from the complainant counsel and that of the defendant and particularly the application of the Attorney General to take up this case and pray for termination of the case, on this premise, the direct complaint dated February 24, 2025, and the cross-complaint dated March 11, 2025, are hereby terminated and the defendants are hereby discharged.”

The judgment was given at Ilorin on Wednesday, March 12, 2025, under the seal of the court and the hand of the judge.

Lizzy Anjorin reacts to court ruling

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Reacting to the judgement, the actress-cum-business woman clarified what led to the criminal accusations, noting that the complainant intended to lock her away in prison.

Anjorin, the Chief Executive Officer of California Paradise City, Ibeju Lekki, Lagos State, described the case as a cross-sue, adding that she and the complainant became defendants in the case before the ruling cleared her of all the criminal allegations.

“The case bordered on a land dispute, and it all happened in Lagos. But the complainant went ahead and filed a criminal suit against me in Ilorin, Kwara State, to lock my enemy away in prison. When I got there, I presented my evidence, cross-sued, and both of us became defendants.

“I was summoned on Friday based on his case and I showed up, but we counter-sued him and on Tuesday, they sent his summon but he didn’t show up and when they wanted to continue with the case we filed against him, I withdrew it and left him for God,” she said on Friday.

The Nollywood star expressed profound appreciation to her loyal fans and lawyers, who stood by her throughout the process, and to the Ilorin judicial system for its thoroughness in handling the matter.

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“I am thankful to my fans, and most especially my lawyers, for doing a good job. I also appreciate the judicial system in Ilorin. I appreciate the fact that they did a thorough investigation and also accepted my complaints and the evidence presented.

“The Kwara State Government, through its judiciary system, did not use their office and state to punish innocent people like me and for that, I am grateful. With all that people have been saying, my case proves that Ilorin is not how people paint it when it comes to their judiciary system.”

Nigerian singer Ahmed Ololade, popularly known as Asake, has finally responded to reports that he abandoned his father after he fell ill.

Earlier in the week, Fatai Odunsi had publicly accused the singer of abandoning him in 2022 when a stroke hit him.

In a video that went viral on social media, Mr. Odunsi claimed the singer ignored his calls. He, therefore, appealed to the public for financial assistance.

In the video, Mr. Odunsi was accompanied by a man identified as Sonibare, who claimed to be his brother.

ALSO READ: I need your help – Asake’s alleged father cries out over recent stroke

He said, “I am the father to Asake, who is singing. The last time I saw him was when this thing happened to me on March 29, 2022.

“He does not pick up my calls anytime I call him. Now I have become tired. I have been looking for this my brother and I recently met with him.”

The singer has now responded to the allegation, taking to social media on Friday with a cryptic message delivered in a Yoruba freestyle.

The former YBNL-signed singer came with his own allegation as he appeared to suggest his father was attempting to manipulate him despite his generosity.

He sang, “You can’t please the world. Whatever you do, do it for God and always remember the day you’ll die and meet your God.

“My people, can you see? Even my father wants to cajole me. I used to press money for him, and I did it with one mind.

ALSO READ: Asake used to accept ₦700 rice, bottle of drink as performance fee – Yemi Elesho

“No one can quench my fire. God is the one that is taking me ahead in life.”

Let’s talk about Chukwudum Umeevuruo, aka C Flex – a Nigerian kid who found his voice in church choir before taking his talents to the UK’s vibrant Afrofusion scene.

Like many African artists, this Anambra native cut his teeth singing praises before deciding to chase the secular bag.

His 2017 debut “Ekeresimesi” wasn’t just some random Christmas jingle; it was a cultural reset for anyone tired of hearing about snowflakes and reindeer when their Christmas experience was more about new clothes and jollof rice.

Discography:

The man hasn’t exactly flooded the market, but what he’s dropped shows promise:

• “Ekeresimesi” (2017) – His debut that gave Christmas the African narrative it deserves

• “Supernova” and “Hustle” (2020) – Pandemic releases when we were all locked down and desperate for vibes

• “Link Up” ft. ML. Kay (2021) – A collab that showed he plays well with others

• “Mi Amor EP” (2021) – Love songs that might actually make you risk it all

• “Hypocrisy” (2022) – When he decided to get political and call out our collective BS

• “Loner” (2024) – His latest jam where he basically says, “leave me alone, I’m vibing”

Influences:

You can hear the Sunday service in C Flex’s melodies – that church training never really leaves. But he’s not giving us gospel; he’s serving a cocktail of Nigerian rhythms, UK Afroswing swagger, and that pan-African Amapiano bounce we can’t get enough of lately.

The man’s a cultural sponge, absorbing sounds from Lagos to London and wringing them out into something distinctly his own.

Style and Penmanship Analysis:

Is C Flex another “falsetto merchant” riding the wave? Not quite. Unlike the flood of male vocalists currently drowning us in head voice gymnastics, C Flex isn’t trying to make you pregnant through your earbuds.

His pen game moves between cultural storytelling (“Ekeresimesi”), social commentary (“Hypocrisy”), and that introspective vibe on “Loner” that hits different when you’re actually tired of people.

His lyrics won’t have you reaching for a dictionary, but they’ll have you nodding in agreement.

Artistic Identity and Brand Coherence:

In an era where everyone’s trying to be the next Wizkid or Burna, C Flex is refreshingly… himself. He’s not forcing the “African Giant” narrative or the “Starboy” aesthetic. Instead, he’s creating a lane as the thoughtful storyteller who can make you dance and think simultaneously.

His brand isn’t flashy watches and designer labels; it’s authentic stories delivered with conviction. The long gaps between releases aren’t helping his momentum, though. In this TikTok era, you blink and people forget your name.

Engagement and Reception:

C Flex isn’t breaking streaming records like CKay’s “Love Nwantinti” just yet, but he’s building something potentially more valuable – a fanbase that actually listens to his message.

His “Mi Amor EP” showed he can capture hearts, while “Loner” suggests he’s not afraid to get vulnerable when everyone else is flexing. In a market saturated with party anthems, his emotional authenticity stands out.

Comparative Standing in Contemporary Afrobeats:

Let’s keep it a buck – C Flex isn’t in the same conversation as Rema, Asake, or Tems right now. Those cats are already eating at the global table while C Flex is still preparing his meal.

But not everyone needs to blow up overnight. Remember Burna Boy before “African Giant”? Exactly. C Flex’s UK position gives him a unique perspective that could eventually become his superpower in this increasingly global genre.

Conclusion: Potential and Positioning:

Is C Flex worth your attention? If you’re tired of cookie-cutter afrobeats and want something with a bit more soul and substance, absolutely.

He’s not going to dominate your TikTok feed tomorrow, but he’s building the foundation for something potentially more lasting. What he needs now is consistency, visual aesthetics that match his sonic quality, and the right collaborations to amplify his voice.

Keep him on your radar – not every star explodes; some just steadily rise until you can’t ignore their light.

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