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Saheed Osupa withdraws defamation case against Portable

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Nigerian Fuji veteran singer, Akorede Babatunde Okunola, popularly known as Saheed Osupa, has ordered the withdrawal of his legal case against controversial Afrobeats artist, Habeeb Okikiola Badmus, known widely as Portable.

This is after Portable was remanded at the Oke Kura Correctional Centre in Ilorin for failing to meet the bail conditions set by an Upper Area Court in Kwara State on Monday, April 14.

Recall that the 31-year-old singer was granted bail in the sum of ₦1 million conditional upon the provision of two sureties in like sum.

One of which must be either the Chairman or Secretary of the Performing Musicians Association of Nigeria, while the other must possess a landed property within a Government Reserved Area, backed by a valid Certificate of Occupancy.

Also recall that he was arrested on Sunday, April 13, following a petition filed by Osupa in which he accused Portale of criminal defamation, threats to life, incitement, character assassination, and conduct likely to disturb public peace.

Now, Osupa’s team, in a press release, have not only annnounced a withdrawal but also clarified the reason for the initial legal charges against Portable.

They stated that the proceedings were filed as a response to what they regarded a gross violation of intellectual property rights and an unacceptable pattern of defamation and public misconduct. 

They went on to add that the legal case aimed to serve as a precedent to deter unruly behaviour and promote responsibility, especially among younger artists. 

This decision, they further assert, is driven by compassion and hope that this moment will serve as a turning point in Portable’s life and career. 


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They, however, gave Portable three conditions for the withdrawal of the legal case. He is to retract his statement, confess to falsehood, and sign an undertaking. 


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I'm working on my TV station – Annie Macaulay reveals next steps

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Annie Macaulay has revealed some of the next big steps for her brand amid her public separation from Nigerian singer, Innocent Idibia, popularly known as 2Baba.

During the recent highly anticipated Headies Awards on April 28, 2025, Annie granted an interview to BBC Pidgin where she announced that she is working on her very own television station called Annie Macaulay TV.

When asked about her children, she noted that they were doing well.

My children dey kampe, my family dey kampe. My first daughter is abroad studying, don’t play with her o, don’t play with my kids, they are my backbone.

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Right now I’m working on my own TV station, my own online TV, Annie Macaulay TV. I want everyone to be ready for different things. We’ve already done a series which will soon air on Annie Macaulay TV, very soon.” 

The reality TV star also went viral at the event after giving a shoutout to fellow single ladies, garnering reactions online.

Meanwhile, 2Baba, who has been in the public eye for his personal life, was recently seen publicly reconciling with his mother, Rose Idibia, after a period of tension.


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What the Headies must do to regain its status as a prestigious award

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The 17th Headies Award was held on April 27, 2025, and it wasn’t without what has now become a typical technical and professional failure.

I had the privilege of attending the ceremony and seeing these failures in person. However, I have elected to shake off the temptation of diving into the details of these recurring shortcomings because let us face it, there’s nothing new to say.

Perhaps the travesty of having the mother of Nigerian global star Tems present an award that her daughter won. There’s also the utter lack of professionalism from the several, I dare say, undeserving personalities who presented awards. Or the inexplicable 5 – 10 minute pause that punctuated every agenda.

For the most part, it was a case of predictable failures that the Headies organisers seem incapable of fixing, and an industry that appears to be settling for what is now the new order.

Or how else should one interpret the words of one of the night’s presenters movie star Kunle Afolayan who compared the Headies Awards to a child that must be loved by the parent comes what may.

His position isn’t without reason. It’s likely inspired by patriotism for the Nigerian cause and maybe a resignation that just won’t get better.

When I consider the excellence Mr. Afolayan has shown in his works as a filmmaker, I wonder if he would tolerate a similar level of mediocrity if displayed by the African Magic Viewers’ Choice Award, which is the leading prize for movies.

So while I might not agree entirely with the somewhat defeatist remarks of Kunle Afolayan, I appreciate the fact that Headies Award represents a lot to Nigerians who need to find ways to support the organisers while demanding for better performance.

It’s this call for better performance that will form the basis of this write-up.


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What The Headies Must Do To Regain its Status As A Prestigious Award Ceremony

After another poor outing at the 17th Headies where there’s yet to be a full list of winners hours after the ceremony, where there was a shortage of plaques, presenters incapable of handling the task they were saddled with, and disinterested artists performing to a tired audience (the show started past 11 PM and ran into 4 AM), the Academy’s reputation is at an all time low.

Although things look really bad for the award ceremony, the situation can be remedied. Here’s how.

It’s time for the old guard to go

I will keep it a buck. The old guard who has so far taken the Headies Academy this far has lost the command of the stakeholders at the forefront of the industry and is doing itself no favours in retaining the patronage of those who still reckon with the award.

There simply needs to be an overhaul in approach and this cannot be limited to the delectable designs of Landmark Event Centre or the applaudible pre-award summits that brought together professionals within the industry.

A new order must start from the planning process down to the execution.

The current structure that has resulted in questionable nominations, utterly ridiculous presenters (what’s with the obsession with Big Brother Naija stars, Instagram celebrities, and friends of the brand?), poor production, and general unprofessionalism must be jettisoned for a new one that understands and reflects the yearning of a new generation.

Rebranding isn’t the award ceremony vacationing for two years in Atlanta, or returning to Lagos as a flashy I just got back (IJGB). It’s not putting old wine in new bottles. Rebranding requires an honest overhaul of all the factors responsible for the current outcome.

The Headies Academy needs to go back to the drawing board to analyse where it all went wrong, what it will take to fix it, and identify the private and public partners needed to get the award back on track.

Connect with a new generation

Balancing Capitalism with an Altruistic Vision


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Shallipopi vows never to attend the Headies again

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The 17th Headies Award was held on April 27, 2025, at the Landmark Event Centre in Lagos.

The award, which rewards excellence in Nigerian music, had in attendance artists, executives, media personalities, and other celebrities across different areas of the Nigerian entertainment.

One of the night’s performers, Shallipopi, whose hit single ‘Cast’ featuring OdumoduBlvck won the Best Rap Song, has shared a veiled displeasure at the award ceremony.

In a post on his X account, the rapper shared that he will not be attending the subsequent ceremonies.

“The next one if una see me make I bend,” he wrote on his X page hours after the award ceremony.

The rapper’s words are likely motivated by the poor organisation that rocked the ceremony with poor award presentation, unnecessary delay, and a shocking lack of professionalism.

In another post, the Benin City flag bearer shared that he doesn’t even want the award for Best Rap Single, and he would rather the Headies give it to those considered rappers.

Shallipopi, who was also nominated for the Next Rated prize, was one of the biggest stars present at the award ceremony, which has reignited conversation over the poor organisation that has caused the award to lose a lot of prestige.

The 17th Headies tagged “Back To Base” saw the award return to Nigeria after two years in the United States.


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The ceremony saw performances from Next Rated winner OdumoduBlvck, Special Recognition recipient KCEE, Lifetime Achievement recipient Flavour, rising stars Qing Madi and Ayo Maff.

Other stars who performed at the ceremony include Tanzanian singer Juma Jux and DR Congo star Innoss B.


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