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'Omo Baba Olowo' to 'Timeless': A ranking of Davido's 5 projects

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Davido is one of Afrobeats’ most prolific hitmakers, and he often brings this hitmaking ability into his projects.

Across his four LPs and 1 EP, the multi-award-winning era-defining star has delivered iconic hit records that played a considerable role in the commercial advancement and global expansion of Nigerian mainstream pop music.

Since making his chest-thumping debut album ‘Omo Baba Olowo: The Genesis’ in 2012, Davido has announced himself on the scene as a superstar whose spot in the summit of the game is won by sheer talent and hard work as opposed to the resources at his disposal, as many like to insist.

13 years since the release of his debut album, Davido is gearing up for the release of his 6th project and 5th album he calls ‘5ive’.

As we await the highly anticipated album, this week’s Afrobeats Throwback Thursday takes a trip to Davido’s discography, where we will be ranking his projects.

This ranking his determined by the quality of the projects, their commercial success, and larger impact on Davido’s career and the ecosystem, and how well they have aged.

Here is a ranking of all of Davido’s 5 projects

5. Son of Mercy EP (2016)

Released in October 2016, Davido’s ‘Son of Mercy’ EP was a bold move by the superstar to break into the global frontiers.

Released under Sony Music, the project marked a period of bold display of ambition where Nigerian stars like Davido who has conqurted the African frontier sought for more.

Although ambitious, the project failed to connect with the American audience it was intended for, and it also failed to find tangible fans back home. Even Davido isn’t the biggest fan of the album.


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However, the 5-track EP delivered the hit record in ‘Coolest Kid In Africa’ featuring a fresh off the block Nasty C.

4. A Better Time (2020)

Davido’s third album, ‘A Better Time’, is the second from his Time trilogy and also the weakest.

While the project housed several hit singles, Davido struggled to combine them into a cohesive sonic offering.

A prolific hitmaker, Davido knows a hit song when he hears one and the lead single ‘FEM’ became not only the biggest song of 2020 but the unofficial soundtrack of the historic #ENDSARS movement.

The album also boasts of other hit records like ‘Jowo’, ‘The Best’ feat Mayorkun, and ‘Lala’ feat CKay.

While ‘A Better Time’ held up Davido’s status as a generation hitmaker who morphs according to the time, it also increased scrutiny over his ability to make a quality album.

3. Omo Baba Olowo: The Genesis (2012)

On his debut album, Davido’s preoccupation was to deliver a volume of hit records that reinforce his growing stardom and signal his intention to dominate.

If there’s one thread that runs through the 17-track album, it’s hit songs.

From the daring chest-thumping opener ‘All of You’ to the love tune ‘Ekuro’, the party starting ‘Gobe’, and the iconic ‘Dami Duro’, Davido showed that, was he may lack in making sonically cohesive albums, he more than compensated for it with hit records.

2. A Good Time (2019)

It took Davido 7 years to release his sophomore album, and within that time, his stocks had risen to peak numbers.

His superstar status was on full display in ‘A Good Time’, where he delivered the sonic cohesion listeners have often demanded while still retaining the easily digestible hit records that define his artistry.

Two years before releasing his sophomore album, Davido dominated the African pop scene with a breathtaking run of 4 singles, 2 (‘IF’ and ‘Fall’) of which he added on ‘A Good Time’.

The album had an exploration of different markets with Afrobeats hits, Dancehall joints like ‘Risky’ feat Popcaan, R&B in the form of ‘D&G’, global Pop with ‘Blow My Mind’ feat Chris Brown, and Amercian hip hop with ‘Big Picture’ featuring Gunna, A Boogie wit da Hoodie, and Dremo.

Although underappreciated, this album is Davido’s most rounded body of work and one of the rare moments he allowed himself to be more than a hitmaker.

1. Timeless (2023)

Davido’s fourth album and the third of his ‘Time Trilogy’ was one of the most anticipated in the 21st-century history of Nigerian music.

The heavy personal loss that preceded it and the fact that Davido refused to release a lead single heightened expectations.

The five-time Grammy nominee delivered on this expectation with an album that restates his status as a hitmaker skilled in crafting hit records and a megastar embracing the depth and refreshing diversity of new talents.


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Entertainment

Priscilla Ojo is not on Twitter – Toyin Abraham on viral tweet

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Nollywood actress, Toyin Abraham, has cleared the air regarding a viral tweet thought to have been posted by Iyabo Ojo’s newly-married daughter, Priscilla.

It all began when Priscilla’s husband Juma Jux; a Tanzanian singer took home the award for the Best East African Artist of the Year during the Headies awards ceremony on April 27, 2025.

Through the excitement, Juma Jux’s feat was received with equal skepticism and joy from social media users.

While many congratulated him, others wondered how the perceived newcomer clinched the award.

A particular X user reacted to the news saying, “LMAO the game is the game,” a statement which many interpreted to mean that Juma won the award simply because he married Priscilla.

This was a sentiment that many on X seemed to share, as others voiced their agreement in his comment section.

See reactions below:

Smart guy who knows how to expand his music career in Africa.

Sometimes I feel he married a Nigerian for this.

Man wants to expand Because wtf does he sing?

The post piqued the interest of many social media users, including an X account in Priscilla’s name.

Yes oo, he got married for Nigerians recognition and Headies award 😂😂 the game is the game my brother. Shout-out to my husband such a smart, calculative and hardworking  man, I’m so lucky 🥳❤️ big love to the Jp fans for voting. We love You🫶🏽❤️

The tweet immediately went viral across social media, especially because the account was thought to be Priscilla’s. Soon Toyin Abraham took to X to clarify that the account was a fake.

She wrote, “THIS IS A FAKE ACCOUNT PLSsss, Pricilia is not on Twitter 🙏🙏🙏


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Priscilla and Juma Jux’s wedding is the most talked about wedding ceremony so far in 2025, attended by dignitaries and many influential names to count.

The luxurious wedding ceremonies were split between Nigeria and Tanzania, where her husband resides and where the finale is set to hold.


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I'm working on my TV station – Annie Macaulay reveals next steps

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Annie Macaulay has revealed some of the next big steps for her brand amid her public separation from Nigerian singer, Innocent Idibia, popularly known as 2Baba.

During the recent highly anticipated Headies Awards on April 28, 2025, Annie granted an interview to BBC Pidgin where she announced that she is working on her very own television station called Annie Macaulay TV.

When asked about her children, she noted that they were doing well.

My children dey kampe, my family dey kampe. My first daughter is abroad studying, don’t play with her o, don’t play with my kids, they are my backbone.

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Right now I’m working on my own TV station, my own online TV, Annie Macaulay TV. I want everyone to be ready for different things. We’ve already done a series which will soon air on Annie Macaulay TV, very soon.” 

The reality TV star also went viral at the event after giving a shoutout to fellow single ladies, garnering reactions online.

Meanwhile, 2Baba, who has been in the public eye for his personal life, was recently seen publicly reconciling with his mother, Rose Idibia, after a period of tension.


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What the Headies must do to regain its status as a prestigious award

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The 17th Headies Award was held on April 27, 2025, and it wasn’t without what has now become a typical technical and professional failure.

I had the privilege of attending the ceremony and seeing these failures in person. However, I have elected to shake off the temptation of diving into the details of these recurring shortcomings because let us face it, there’s nothing new to say.

Perhaps the travesty of having the mother of Nigerian global star Tems present an award that her daughter won. There’s also the utter lack of professionalism from the several, I dare say, undeserving personalities who presented awards. Or the inexplicable 5 – 10 minute pause that punctuated every agenda.

For the most part, it was a case of predictable failures that the Headies organisers seem incapable of fixing, and an industry that appears to be settling for what is now the new order.

Or how else should one interpret the words of one of the night’s presenters movie star Kunle Afolayan who compared the Headies Awards to a child that must be loved by the parent comes what may.

His position isn’t without reason. It’s likely inspired by patriotism for the Nigerian cause and maybe a resignation that just won’t get better.

When I consider the excellence Mr. Afolayan has shown in his works as a filmmaker, I wonder if he would tolerate a similar level of mediocrity if displayed by the African Magic Viewers’ Choice Award, which is the leading prize for movies.

So while I might not agree entirely with the somewhat defeatist remarks of Kunle Afolayan, I appreciate the fact that Headies Award represents a lot to Nigerians who need to find ways to support the organisers while demanding for better performance.

It’s this call for better performance that will form the basis of this write-up.


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What The Headies Must Do To Regain its Status As A Prestigious Award Ceremony

After another poor outing at the 17th Headies where there’s yet to be a full list of winners hours after the ceremony, where there was a shortage of plaques, presenters incapable of handling the task they were saddled with, and disinterested artists performing to a tired audience (the show started past 11 PM and ran into 4 AM), the Academy’s reputation is at an all time low.

Although things look really bad for the award ceremony, the situation can be remedied. Here’s how.

It’s time for the old guard to go

I will keep it a buck. The old guard who has so far taken the Headies Academy this far has lost the command of the stakeholders at the forefront of the industry and is doing itself no favours in retaining the patronage of those who still reckon with the award.

There simply needs to be an overhaul in approach and this cannot be limited to the delectable designs of Landmark Event Centre or the applaudible pre-award summits that brought together professionals within the industry.

A new order must start from the planning process down to the execution.

The current structure that has resulted in questionable nominations, utterly ridiculous presenters (what’s with the obsession with Big Brother Naija stars, Instagram celebrities, and friends of the brand?), poor production, and general unprofessionalism must be jettisoned for a new one that understands and reflects the yearning of a new generation.

Rebranding isn’t the award ceremony vacationing for two years in Atlanta, or returning to Lagos as a flashy I just got back (IJGB). It’s not putting old wine in new bottles. Rebranding requires an honest overhaul of all the factors responsible for the current outcome.

The Headies Academy needs to go back to the drawing board to analyse where it all went wrong, what it will take to fix it, and identify the private and public partners needed to get the award back on track.

Connect with a new generation

Balancing Capitalism with an Altruistic Vision


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