Entertainment

'Music is meant to enhance the story not take away from it' – Kaline Music

Published

Saturday, 26 April 2025, 10:28 am

'Music is meant to – 'Music is meant to…

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Kaline Music, the composer behind the AMVCA 2024 Best Film, Breath of Life, is quickly making her mark in Nollywood, showcasing her talent and masterful attention to detail.Can you walk us through your process of composing music for a film?What was the most challenging aspect of composing music for film and how long does it take?What do you think makes a film soundtrack memorable or iconic?What is your proudest moment in terms of your musical contribution to film?Winning the AMVCA for Best Soundtrack is a huge achievement. What does this recognition mean to you?What are your goals for the future, and are there any upcoming projects we should look forward to?What advice would you give to aspiring sound designers and music composers?

'Music is meant to – Kaline Music, the composer…

Kaline Music, the composer behind the AMVCA 2024 Best Film, Breath of Life, is quickly making her mark in Nollywood, showcasing her talent and masterful attention to detail.

Pulse had the pleasure of sitting down with this talented composer to discuss her journey, her creative process, and her impressive repertoire, which already includes acclaimed works like the web series Men’s Club and King Woman, as well as feature films such as Wedding Party 2, Flower Girl, Eyimofe, and Royal Hibiscus Hotel. But it’s her work on Breath of Life that has catapulted her into the spotlight, where she not only wrote the theme sound but also composed the score and curated the soundtrack.

During our conversation, it became clear that her passion for music and storytelling is the driving force behind her success. She shared insights into her creative journey, the challenges of composing for different genres, and how she brought Breath of Life to life through its soundscape.

Can you walk us through your process of composing music for a film?

Every production is different, directors are very different. The process is different based on the client you are working with. But in general, you get to have a sit-down session with the director and get to talk about his/her vision. What they want their sound world to sound like in the film. If they do have an idea, that’s amazing for a composer cos they can sort of give you references. A lot of the time, it becomes difficult to interpret what the director wants when they aren’t even sure how to describe it. So with the reference we have the spotting session where we watch the film entirely to figure out where the music should be. We talk about character themes, instrumentation then I put together a temporary score just to give an idea of what the music would sound like. Then after that, we start scoring. I give the director the chance to hear music as often as possible throughout the process.

READ ALSO: Meet the cinematographers behind some of the best Nollywood movies

What was the most challenging aspect of composing music for film and how long does it take?

In this part of the country, post-production is often rushed but nonetheless, we work with their time. You don’t want to be the reason someone’s film didn’t get submitted at a festival. The most important thing for me is for the director to know what they want cos then you don’t suffer the back and forth. So, I deliver as quickly as possible.

What do you think makes a film soundtrack memorable or iconic?

When you can match the emotion you feel on screen to the sound or lyrics of the song. If you can find ways to use the lyrics of a song to explain in more depth what is not said in the dialogue, it takes it to a whole new level. For the score, my professor always says that if people don’t remember the music, then you’ve done a phenomenal job. And what he means by that is, as a composer, you’re not supposed to be taking the glory, you’re supposed to be telling the story or enhancing the storyline through the music. The music shouldn’t take away from the story, It is supposed to work together.

What is your proudest moment in terms of your musical contribution to film?

It definitely has to be Breath of Life, cos it won best film. That’s such a huge achievement for me. Winning the AMVCA for Best Soundtrack is a huge achievement. What does this recognition mean to you?

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Winning the AMVCA for Best Soundtrack is a huge achievement. What does this recognition mean to you?

It’s just wonderful to know that people appreciate good stories. When I read the script, it was incredible. Cos that father-son dynamic is rarely talked about. Also, the fact that when I made a fuss about the omission of the music composer category for the AMVCA, they actually listened. That gave me so much pride; to know that if you speak about something, something can be done. And to also encourage other composers to know that if they continue, they will get recognition and the industry will also change. It will make the industry get better and other composers will know that there’s actually a chance for us to be seen and heard and there will be a better budget created to accommodate high-end scoring.

What are your goals for the future, and are there any upcoming projects we should look forward to?

I’d love to work on a horror film. I would love to work with Kunle Afolayan, Disney, and Marvel. 100% My dream is to work with these big productions.

What advice would you give to aspiring sound designers and music composers?

Create your own opportunities. I did that with film, I did that with performing until I started having other opportunities. How I got Breath of Life was that I was just constantly creating and a film director saw me. I created opportunities for myself by putting my own show together, collaborating and inviting my own community, that’s how I got called for other gigs. In the film that would mean creating music and putting it online. I have gotten opportunities with other films and I’m getting better every day.

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Entertainment

Court sends Afrobeats artist Terry Apala to Ikoyi prison for Naira abuse

Published

1 hour ago

April 26, 2025

Julie

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A Federal High Court in Lagos has sent Nigerian Afrobeat and Apala musician, Terry Alexander Ejeh, popularly known as Terry Apala, to the Ikoyi Correctional Centre following a Naira abuse charge brought against him by the Economic and Financial Crimes Commission (EFCC).

In a ruling on Friday, April 25, 2025, Justice Akintayo Aluko ordered the artist’s remand until May 5, 2025, when his bail application would be heard and determined.

The singer was arraigned before the court on a one-count charge of naira abuse filed by the EFCC. The Commission claimed that Ejeh trampled on the currency whilst dancing during a social event at Madison Place, Oniru, Lagos Island.

Counsel to the anti-graft agency, Sulaimon Sulaiman, subsequently asked the court to read the charge to the defendant so he could take his plea.

ALSO READ: EFCC arrests Edo gov’s aide over alleged naira abuse

The EFCC charge against the defendant reads: “That you, TERRY ALEXANDER EJEH, on the 5th day of January 2025 at Madison Place, Oniru, within the jurisdiction of this Honourable court whilst dancing during a social event tampered with Naira currency issued by the Central Bank of Nigeria by matching on it and you thereby committed an offence contrary to and punishable under Section 21(1) of the Central Bank of Nigeria Act 2007.”

However, the defendant pleaded not guilty to the charge, prompting Sulaiman to request a trial date and the remand of the defendant in the custody of the Nigeria Correctional Centre.

But the artist’s counsel, Felix Nwakbudu, informed the court of a pending bail application filed on his client’s behalf.

Nwakbudu disclosed that the prosecution had been served with a copy of the bail summons on Friday morning, pleading with the court to allow him to move the application.

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However, the EFCC counsel opposed the hearing of the bail application on the grounds that he would need time to study the application and make an appropriate response.

Subsequently, Justice Aluko ordered the remand of Terry Apala at the Ikoyi Correctional Centre pending the hearing and determination of his bail application.

ALSO READ: Bobrisky thanks Don Jazzy for gifting him ₦4 million while he was in prison

The Judge also ordered an accelerated hearing of the trial and adjourned the matter till May 5 for trial.

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Entertainment

Wholesome video of Mohbad's son, Liam dancing warms hearts online

Published

13 hours ago

April 25, 2025

Julie

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Social media is abuzz with a heartwarming video of Liam, the two-year-old son of late Nigerian singer Mohbad, dancing to his dad’s song with his grandma.

The video posted to social media showed the adorable tot grooving to Egwu; a hit song by Chike featuring Mohbad, and soon enough, grandma joined in.

Social media users took to the comment section to express their joy over the little boy, whom many noticed has become the spitting image of his dad.

A heartwarming moment: Late Mohbad’s son, Liam, is seen dancing joyfully to one of his father’s songs—keeping his dad’s legacy alive through music and love🕯️ pic.twitter.com/fojE1TZzG5
— African Folder (@africanfolder) April 24, 2025

See reactions below:

All you DNA testers, I hope your consciences prick you till it creates a hole in your hearts…

While Oga and his people are busy crying on TikTok 😂😂😂this video too sweet me ❤️my Liam is growing so fast🙈❤️

You will live long and prosper 🙏 Untimely death won’t be your portion. You will achieve all the good things of life and be a blessing to your generation. Amen

Mohbad lives on. I am happy 😍

Hmmmm, God bless and protect you always indeed u are surrounded by good people and so shall it be in Jesus mighty name. Amen.

It is worth noting that Liam, though little, has been the subject of online agitations towards a DNA/paternity test since 2023, when Mohbad died.

After the singer’s passing in September 2023, which was under somewhat mysterious circumstances, a call for justice followed, and an investigation was launched. During said investigations, some people began to point fingers at Mohbad’s widow, Wunmi, and demanded that she prove that Liam is his legitimate son.

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Entertainment

Femi Kuti to release 11th Studio album "Journey Through Life" on April 25th

Published

16 hours ago

April 25, 2025

Julie

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Multiple Grammy-nominated Afrobeat pioneer Femi Anikulapo-Kuti is set to release his highly anticipated eleventh studio album, Journey Through Life, on April 25th, 2025. The announcement follows the successful release of three singles from the album – “Politics Don Expose Dem” in November, “After 24 Years” in February, and “Oga Doctor” in March.

The ten-track album promises to deliver Femi’s signature blend of pulsating rhythms, horn-driven melodies, and socially conscious lyrics that have defined his illustrious career spanning over four decades. With tracks like "Corruption Na Stealing," "Think My People Think," and "Chop and Run," Femi continues his tradition of using music as a powerful vehicle for social commentary and political activism.

Speaking about the new album, Femi Kuti states: “Journey Through Life represents my unwavering commitment to the Afrobeat tradition as a weapon against injustice as I continue to document our collective struggle through rhythm and truth. Songs like "Politics Don Expose Dem" and "Corruption Na Stealing" confront the same systems of oppression my father fought against decades ago. This album carries that revolutionary spirit forward.”

As the eldest son of Afrobeat founder Fela Kuti, Femi has carved his distinctive path in music while honouring his father’s legacy. Since his debut album No Cause For Alarm in 1989, Femi has consistently evolved the Afrobeat genre, infusing it with elements of jazz, funk, and traditional Nigerian music to create a progressive sound uniquely his own.

His critically acclaimed discography includes standout albums such as Shoki Shoki (1998), Fight to Win (2001), Day by Day (2008), No Place for My Dream (2013), and Stop the Hate (2021). Throughout his career, Femi has received six Grammy nominations, solidifying his place as one of Africa’s most influential musical voices.

Known for his virtuosic saxophone playing and energetic stage presence, Femi Kuti continues to push the boundaries of Afrobeat with complex polyrhythms, intricate horn arrangements, and impassioned vocal performances. His music addresses pressing social issues, government corruption, and the struggles of everyday Nigerians while celebrating resilience and cultural pride.

Femi’s collaborations with international artists, including Coldplay, Common, Mos Def, and Red Hot Chilli Peppers, have helped introduce Afrobeat to global audiences. At the same time, his work with Positive Force, his high-energy band, has maintained the genre’s authenticity and cultural significance.

Based on the previously released singles, Journey Through Life promises to be both a musical tour de force and a poignant commentary on contemporary Nigerian society. "Politics Don Expose Dem" offers a scathing critique of political manipulation through tribal and religious sentiments, while "After 24 Years" showcases Femi’s ability to combine catchy melodies with thought-provoking messaging.

Fans of Femi can expect his characteristic blend of traditional Yoruba elements, jazz improvisation, and funk-infused grooves, all delivered with the urgency and passion that has made him a musical force for over four decades.

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To celebrate the anticipated release, Femi Kuti will host an album listening session and media briefing on April 27th, 2025, at the legendary New Afrika Shrine in Lagos. Media representatives and special guests will have the opportunity to experience the album in its entirety and engage with the artist in an intimate setting.

About Femi Kuti

Femi Anikulapo-Kuti is a Nigerian musician, songwriter, and activist born in London and raised in Lagos. As a key figure in the Afrobeat movement, he has used his platform to advocate for social justice, political accountability, and pan-African unity. He currently serves as the artistic director of The New Afrika Shrine, the cultural centre he established to honour his father’s legacy while nurturing Nigeria’s vibrant music scene.

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