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Meet these Nollywood’s Veteran Actresses

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Meet these Nollywood’s Veteran – Meet these Nollywood’s Veteran…

Meet these Nollywood’s Veteran – For a nostalgic experience,…

For a nostalgic experience, we have curated a list of some of the top Nollywood veteran actresses. 

These actresses were the blueprint! From their unmatched ability to cry a river on cue to how they carried dramatic showdowns, these women didn’t just star in movies—they owned them. 

They made us laugh, cry, and sometimes shout at the screen. But most importantly, they brought authenticity and depth to every role, making us fall in love with Nollywood one scene at a time. 

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Fast forward to today, and their legacy still looms large. Many have remained active in the industry, proving that talent and star power don’t fade with time; they only get better. 

So, if you’re ready for a nostalgic stroll down memory lane, let’s celebrate the top Nollywood veteran actresses who have shaped the industry and continue to inspire a new generation of storytellers. Whether you’re a Gen Z newbie or a seasoned millennial movie buff, it’s time to turn the spotlight on the legendary actresses who paved the way for today’s stars. Let’s give flowers to those who made Nollywood a household name!

READ ALSO: Piracy in Nollywood: Niyi Akimolayan’s take on accessibility and the industry’s real challenge

Genevieve Nnaji

Genevieve Nnaji is a Nollywood royalty. She has remained an iconic figure since her breakout role in the TV show Ripples at the age of 8. In 1998, at the age of 19, she was introduced into the growing Nigerian film industry with the movie Most Wanted. With a career spanning over two decades, Genevieve has redefined what it means to be a global Nigerian star. She won the Africa Movie Academy Award for Best Actress in a Leading Role in 2005, making her the first actor to win the award.  In 2010, she starred in the award-winning film Ijé: The Journey. Her subsequent movies include Last Party, Mark of the Beast and Ijele. She has starred in over 200  Nollywood movies. Her directorial debut movie, Lionheart, is the first Netflix film from Nigeria and the first Nigerian submission for the Oscars. The movie was disqualified for having most of its dialogue in English. 

Omotola Jalade Ekeinde

Omotola is a powerhouse of talent and charisma. Dubbed “Omosexy” by her adoring fans, she has appeared in over 300 movies and delivered countless unforgettable performances in films like Mortal Inheritance and Blood Sisters. Her first major role in the film Mortal Inheritance was in 1995, where she played a sickle-cell patient who fought for her life against small odds of survival. Since then, she has starred in several films, including Games Women Play, Blood Sisters, All My Life, Last Wedding, My Story, and The Woman in Me. For her role in Mortal Inheritance, she won Best Actress in an English-speaking Movie and Best Actress Overall at the 1997 Movie Awards. She was the youngest actress in Nigeria at that time to win this. She was awarded Best Actress in a Supporting Role during the Africa Movie Academy Awards in 2005. Her career has proven that Nollywood stars can dominate both locally and internationally.

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Joke Silva

Joke Silva’s name is synonymous with elegance and versatility. With decades of experience on stage and screen, this veteran actress has showcased her acting prowess in classics like Violated and Keeping Faith. In 2006, she won Best Actress in a Leading Role at the second African Movie Academy Awards for her performance in Women’s Cot, and Best Actress in a Supporting Role at the 4th Africa Movie Academy Awards in 2008 for her performance as a grandmother in White Waters. Married to veteran actor Olu Jacobs, Joke Silva’s career is a masterclass in longevity. As a mentor and educator, she has also played a pivotal role in nurturing the next generation of Nollywood talent.

Patience Ozokwo (Mama G)

Is there anyone in Nollywood more iconic than Mama G? Known for her fiery roles as the ultimate onscreen villain, Patience Ozokwo has given us some of the most memorable characters in Nollywood history. From Old School to A Ghetto Love Story, she’s proven her range time and again. But did you know that behind the tough, scheming characters she plays, Mama G is a gentle soul who often speaks about her love for God and family? Well, she’s also an ordained evangelist. Some of her recent movies include Chief Daddy (2018) Chief Daddy 2: Going for Broke (2022) and A Ghetto Love Story (2024).

Sola Sobowale

Whether you know her as the no-nonsense matriarch in The Wedding Party, the fierce Eniola Salami in King of Boys, or even as Toyin Tomato in the Oh Father Oh Daughter season of Super Story soap opera, Sola Sobowale is a force of nature. Her role in King of Boys (2018) is one of her most notable performances to date. She played Eniola Salami, a powerful and ruthless businesswoman and politician known as “The King of Boys.” The movie was a Nigerian crime political thriller film written, co-produced and directed by Kemi Adetiba, a movie that reunited Adetiba and Sola Sobowale after they worked together in Kemi Adetiba’s directorial debut, The Wedding Party in 2016. She reprised her role in the sequel, The Return of the King which was released on August 27, 2021, exclusively on Netflix as a 7-part limited series. Her career, which started in the 90s, has seen a remarkable resurgence in recent years. She’s become the go-to actress for roles requiring intensity, passion, and unyielding strength. Her energy is infectious, and her performances leave audiences speechless every time.

Ngozi Nwosu

Is it her antics in Fuji House of Commotion? Or maybe her unforgettable performance in Skinny Girl In Transit? Ngozi Nwosu is in a class of her own.

Nwosu began her acting career in Yoruba-language films, before making her home-video debut in Living in Bondage, an Igbo-language film considered to begin the video film era of Cinema of Nigeria. She is also known for playing “Peace” in the sitcom, Fuji House of Commotion (created by Amaka Igwe). Her character was the second wife of Chief T. A. Fuji, often shown as his favourite. Some of her recent projects include Skinny Girl In Transit and Crazy Grannies.

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Stella Damasus

With her soulful voice and emotive acting, Stella Damasus captured hearts in films like Games Women Play and Breaking Point. Her ability to bring vulnerability and depth to her characters made her a fan favourite in the early 2000s. She was nominated for Best Actress in a Leading Role at the Africa Movie Academy Awards in 2009. She won the Award for Best Actress at the Nigeria Entertainment Awards in 2007. Though she’s been more focused on other projects in recent years, her impact on Nollywood is undeniable. She’s transitioned into mentorship, using her platform to empower young creatives in Nigeria and beyond. 

Rita Dominic

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He fought a 15-year legal battle for rights to his songs – Mike Ejeagha Documentary director [Pulse Inteview]

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He fought a 15-year – He fought a 15-year…

He fought a 15-year – Mike Ejeagha is a…

Mike Ejeagha is a folk musician popular among South-Easterners for his unique storytelling through music.

Ejeagha has woven the cultural essence of the Igbo people into each of his songs. 

However, his music had long been relegated to the archives of Nigerian history, until an unexpected event changed the course as comedian Brain Jotter sampled one of Ejeagha’s iconic tracks, birthing the viral “Gwo gwo gwo ngwo” trend on social media

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This viral moment sparked a resurgence of interest in the legendary musician’s work, with young Nigerians reconnecting with the rhythms and storytelling that Ejeagha’s music embodies. As though designed by providence, a documentary about his life and influence was already in the works before this Renaissance, thrusting the forgotten legend back into the cultural limelight. 

The documentary, set to be released to the public for the first time on December 21, 2024, captures Ejeagha’s remarkable journey as well as his deep connection to the Igbo people, their traditions, and the impact his music has had over the years.

Pulse Nigeria recently sat down with Michael Chineme Ike, the director of the Mike Ejeagha Documentary to discuss this unique journey of rediscovery, the challenges of bringing the story to life, and the importance of preserving the legacy of artists like Ejeagha.

This interview has been edited for clarity and length.

What inspired you to create a documentary about Mike Ejeagha? 

As a kid growing up in Igbo land, I listened to Mike Ejeagha’s music and it was always unique how every one of his songs taught a moral lesson. I learnt that it’s wrong to steal from his song "Onye ori Utaba". I didn’t know him or meet him personally but I loved his music. Decades later, almost everyone like myself thought he was late, until somehow his story appeared online when Amarachi Attamah and Charles Ogbu brought to the public notice that the legend is alive but more than that, he is living in poverty. This was sad. I didn’t have money to donate but decided to use my filmmaking skills to give the man a much bigger gift: a legacy that no other Igbo legend has had the pleasure of experiencing. And what’s more important than doing this and celebrating him while he is still alive with us?

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How did you go about researching Mike Ejeagha’s life and work?

It wasn’t easy. The internet doesn’t have so much about his life. I had to visit the family and interview him and his children. He was already very old and could barely talk properly or remember things. I also researched his work experience and visited people who had the opportunity to work with him in the past. Most were dead but those I could find were able to provide so many details about the man and his exploits that helped form the story.

What were some of the challenges you faced while working on this documentary?

Well, there is funding. Filming documentaries isn’t cheap and I learnt that the hard way as this was the first documentary film I embarked on in my career. As documentaries aren’t great money-making ventures, getting people to invest in the project was also hard, so I had to carry most of the cross. Another major challenge was the lack of archival footage to help with visuals in the documentary. Mike Ejeagha lived in a time with little or no digital video recordings, so there was almost nothing to be found of him on the internet. 

He doesn’t have much at home either and even TV stations he worked with gave excuses like a fire incident in the past burning up videos of his programs on TV. These things made it hard for us. But thanks to the extra efforts from my team and me, we were able to dig deeper and also got some with the help of AI. We then created more scenarios from stories we got from our research and interviews. 

READ ALSO: Mercy Aigbe’s December release, ‘Thin Line’ makes  ₦28.5 million since its release

Can you share any special or surprising discoveries you made about Ejeagha during the production?

To avoid any spoilers, I discovered that while the world had thought that Mike Ejeagha was dead, the man was simply battling a long legal battle with his record label over the rights to use his songs and make music videos out of it. This lasted for over 15 years until the Enugu State Government stepped in. I also found out that he contributed over 200 songs to the National Archives, a rare feat that many people were unaware of.

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How did Brain Jotter’s use of Mike Ejeagha’s song impact your work on the documentary?

I had long started and even concluded interviews for the project before BrainJotter did what he did. However, I was in a stalled moment due to funds preventing me from going immediately into post-production. When the dance went viral, many people who knew about my project advised that it was best to release the project in the heat of the moment,  little did they know I would love to but the issue of funds persisted. Eventually, I did get some help with a last-minute investment from Charles Ogbu who has been like a son to Mike Ejeagha and I was able to get things rolling again. Thank God, I’m able to finish soon enough and here we are today, about to premiere with the trend still fresh in people’s minds. 

Do you think the trend revived public interest in Mike Ejeagha or were people already nostalgic about his music?

Mike Ejeagha’s music is unique and many people loved it. But in this Gen Z generation, I would say Brain Jotter’s dance trend did play a very key role in reviving public interest in the man. In fact, his music was more popular than himself and many people didn’t even know who he was or that he was still alive. The trend did help a lot.

Did the trend influence any creative choices you made in the documentary?

In a way, yes. One of Mike’s music, titled "Uwa mgbede ka mma" loosely translates to he who laughs last, laughs best. We can say that after going through all the life challenges he went through, the universe decided to bless him during his last days on earth. This helped to bring a perfect ending to the documentary because he was still alive. We couldn’t have possibly ended with his death. The Brain Jotter trend, his story revival which even attracted the state governor and many prominent persons to him, was a perfect and emotional end to the project. 

What role do you think social media plays in preserving cultural icons like Mike Ejeagha?

Social media plays a transformative role in preserving cultural icons like Mike Ejeagha by creating a global platform for their stories and works to be rediscovered and celebrated. It helps amplify their legacy, making it accessible to younger generations who may not have experienced their contributions firsthand. Through social media, fans and supporters can share memories, performances, and interviews, keeping their influence alive. In Mike Ejeagha’s case, platforms like Facebook and YouTube have become archives for his music and storytelling, while influencers and cultural enthusiasts spark conversations around his impact. Social media also facilitates advocacy, as seen when fans and activists rallied support during his legal battles and for his recent recognition. It bridges the gap between generations, ensuring that the essence of his artistry and Igbo culture continues to inspire a global audience.

What message do you hope audiences take away from this documentary?

Do you have plans to work on more documentaries about Nigerian folk legends or other cultural icons?

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I wish I met you before the wrong person – Portable's baby mama tells new man

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I wish I met – I wish I met…

I wish I met – Singer Portable’s second baby…

Singer Portable’s second baby mama, Honey Berry, has taken to social media to appreciate her new man, and people say she subtly shaded you know who in the process.

Taking to Instagram on December 16, 2024, Honey Berry posted a video of herself and her partner to her Instagram page and expressed heartfelt affection for him, writing, “It’s Monday 👩‍❤️‍💋‍👨 Baby I want you to know that you are the love of my life,❤️that your soul and mine are one in the same,and that I will love you a million lifetimes from now! You have no idea how happy you make me sweetheart.👩‍❤️‍💋‍👨”

“I will spend my life making you as happy as you make me. I just love you so damn much.🥰We share such an amazing one of a kind love they is so pure and so true.💕Tonight you just have my heart overflowing. I just wish you were here so l could cook for you and watch a movie together. Sweetheart I cannot wait to be holding you again.💃I hope you have a good night and sleep well my angel.I love you baby Love you from the very depths of my soul,” she added.

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Though sweet and warm, Berry’s last statement, “I wish had met you before the wrong 💔person🤮🤮,” sparked reactions from social media users, with many believing that it was shade thrown at Portable.

“Na only this girl get sense among portable baby mama’s 😂I know she will be regretting knowing portable for her life,” said an Instagram user in the comments.

Another comment read, “Sisterhood is proud of you, my Baby”

“Portable don set ring light 😂,”said another person.

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Another Instagram user asked, “Who be the wrong person ejoor? 😂”

Recall that in 2023, Honey Berry and Portable had a public spat after she took to her Instagram live session to angrily call the singer out for abandoning their child, revealing that he has been missing in action for the past four months. Honey Berry also alleged that her baby daddy tried to create a rift between her and his first wife Bewaji by only posting her.

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Mercy Aigbe's December release, ‘Thin Line’ makes  ₦28.5 million since its release

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Mercy Aigbe's December release, – Mercy Aigbe's December release,…

Mercy Aigbe's December release, – Nollywood actress and producer…

Nollywood actress and producer Mercy Aigbe’s Thin Line has grossed  ₦28.5 million at the box office since its release on December 13, 2024.

Thinline is up against tough competition this December from other high-budget holiday films, including projects from Funke Akindele, Toyin Abraham, Ayo “AY” Makun, and Ghanaian director Peter Sedufia. However, with December being a prime month for the industry, Thinline has already established itself as a strong contender for audiences looking for an engaging drama this festive season.

Distributed by Cinemax, the film is a compelling drama that delves into themes of faith, betrayal, and redemption, drawing audiences in with its intense narrative.

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Starring Uzo Arukwe, Jaiye Kuti, Cute Abiola, Yvonne Jegede, and others, the film is directed by Akay Mason. Before its nationwide release, Thinline already raked in N3.5 million from advanced screenings.

READ ALSO: Why some Nigerians ‘can’t deal’ with Nollywood films

Mercy Aigbe has established herself as a powerhouse in the Nigerian film industry. In 2016, she took a significant step towards nurturing new talent by founding the Mercy Aigbe Gentry School of Drama. Renowned for her versatility and commanding presence, Aigbe has starred in and produced countless films, earning her a reputation as one of Nollywood’s most influential actresses.

Aigbe’s impact is still growing. This year, she made major waves with two blockbuster films: Farmer’s Bride, which grossed over N100 million, and Beast of Two Worlds, which earned over N200 million after its cinema run.

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