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Meet the writers behind some of Nollywood’s Biggest Cinema releases of 2024

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Meet the writers behind some of Nollywoods Biggest Cinema releases

Meet the writers behind – When we gush about…

When we gush about our favourite Nollywood blockbusters, we tend to shower all the love on the actors who bring the drama or the directors who yell, “Action!”

But what about the masterminds behind the scenes; the writers who sit hunched over their laptops, churning out the twists and turns that leave us clutching our popcorn in shock?

Yes, writers are the true wizards of the screen, conjuring up the love triangles, the slap-worthy betrayals, and the “Jesus-is-Lord!” plot twists that keep us glued to our seats. They’re the ones making sure your favourite Nollywood stars have lines so iconic, that you’re still quoting them in traffic weeks later.

In 2024, Nollywood gave us a buffet of cinematic hits—from thrillers that had us biting our nails to rom-coms that made us believe in love (again). But behind every box office smash is a writer, grinding away to give us those unforgettable stories.

READ ALSO: Catch up on these Nollywood films streaming on Netflix today!

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So, grab a drink, because we’re about to meet the literary legends behind Nollywood’s biggest cinema releases of the year.

Tunde Babalola – Funmilayo Ransome-Kuti

A seasoned screenwriter in Nigerian cinema and British television whose notable Nollywood works include Last Flight to Abuja, Critical Assignment, October 1, Citation, and the TV soap opera, Tinsel. He was a writer on the UK series The Bill and In Exile. Initially titled Dust, Babalola wrote the script for the critically acclaimed blockbuster 1 October in 2014. The film was directed by Kunle Afolayan. In 2015, he joined as the writer and producer of the comedy TV production Rib Busters: Comedy Show. In 2015, Babalola won the awards for Best Comedy Writer for the film The Meeting and Best Drama Writer for the film October 1 at the Africa Magic Viewers’ Choice Awards. In 2024 he wrote the script for the biggest biopic in West Africa, Funmilayo Ransome Kuti and another epic Netflix project House of Ga’a. Directed by Bolanle Austen-Peters, Funmilayo Ransome Kuti won Best Screenplay and Best Film at the African Film Festival (AFRIFF) in 2023.

Jack’enneth Opukeme – Farmer’s Bride

Opukeme has several high-performing works to his credit. Some of them include Adire, Battle on Buka Street and most recently Farmer’s Bride which he took his career further by co-directing with Adebayo Tijani.  With his background in Theater and Media at the University of Calabar, Opukeme found his interest in directing and in his final year, he realized he had a thing for directing so he directed Lorraine Hansberry’s A Raisin in the Sun, a play in school. He came to Lagos as an intern for FilmOne, the leading film distributor in Nigeria and his career took off from there.

Meet the writers behind

Anthony Kehinde Joseph – Queen Lateefah

This guy is behind the screenplay of popular works including Bling Lagosians, Afamefuna: An Nwa-boi Story, Merry Men, Ijakumo: The Born Again Stripper, Knocking on Heaven’s Door, and Champagne. With Queen Lateefah, Joseph through the life of an elite-wanna-be weaves a story that explores deception, lies and the cost of living a fake life in modern-day Lagos. 


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Dare Olaitan and Stephen Okonkwo – Ajosepo

Olaitan is popular for the film Ojukokoro, a 2016 film which received the Africa Movie Academy Awards (AMAA). He also wrote Dwindle, Ile Owo, Obara’M and Ègún. Okonkwo has screenplay credit for several notable works like Soole, Obara’m, Honey Money, and an upcoming project The Party. In 2018, Olaitan wrote and directed Knockout Blessing, a movie which explores the story of an ambitious female boxer who finds herself entangled in the world of political corruption. The film was nominated for Best Nigerian Film and Best Visual Effects at the 2019 Africa Movie Academy Awards. Ajosepo which he shares screenplay credit with Okonkwo is a 2024 comedy-drama film that explores the impact of family dynamics and cultural nuances on a young couple preparing for marriage. The film held the top seat at the Nigerian box office 4 weeks after its release.

Meet the writers behind

Cheta Chukwu – The Uprising Wives on Strike 3

Cheta Chukwu is a writer-director with several works to his credit including Strawberry Chinny (starring Genoveva Umeh and Chimezie Imo) which made the official selection list for the Essence Festival this year. He wrote and directed Payday, a comedy-drama, which had its theatrical release in Nigeria and 9 Francophone countries but was later acquired by Netflix. His newest screenplay, The Uprising: Wives On Strike 3 and achieved impressive feats since its release on October 18, 2024.  A few months ago, he got accepted into the Torino Film Lab’s (TFL) Extended Writer-Director Program in the Netherlands, for his new project, Love is a Deeper Shade of Red, further cementing his place in the global film industry. 

Meet the writers behind

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BBNaija's phyna cries over widespread hunger in Nigeria

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Reality TV star and Big Brother Naija winner Phyna has voiced her concerns over the growing hunger crisis in Nigeria, calling for urgent action and unity among Nigerians.

In an emotional video posted to her Instagram on March 20, 2025, the actress lamented the worsening state of food insecurity, emphasising that the current hunger is not just about the absence of food but also the erosion of hope for many Nigerians.

The issue of hardship and hunger in our nation strikes the heart of all, young and old, rich and poor. The hunger we experience now is not just the absence of food on our plate, it is the absence of hope on our heart. There are so many children who should be at school that are instead searching for food and parents who would go to bed on an empty stomach not knowing where their next meal is coming from.

ALSO READ : Nigeria pushing hungry, unemployed youths towards revolution — Obasanjo warns

She also criticised the lack of collective action, questioning why Nigerians have not united to demand change from their leaders.

Yet despite the growing crises, what do we say? Where is the collective voice? Where is the unity that should bind us together as one nation? We are unable to find together for the greater good.

The truth is that hunger is not a distant problem, it’s in every home and community. We need to come together as one nation, put our difference and focus on our wellbeing. We must demand accountability from our leaders in words and actions.

We need assurance that every Nigerian in the rural and urban areas have access to food security and a dignified life. It is time to ask why we are allowing hunger to persist in our country that has so many resources

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Hollywood filmmaker accused of swindling Netflix of $11M 

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Renowned Hollywood director Carl Erik Rinsch, best known for the 2013 action-fantasy film 47 Ronin, has been arrested on charges of fraud and money laundering after allegedly misusing $11 million from Netflix. 

According to BBC News, the funds, intended for the development of a sci-fi series titled White Horse, were reportedly diverted toward luxury cars, cryptocurrency investments, and extravagant personal purchases.

Between 2018 and 2019, Netflix provided Rinsch with an initial budget of $44 million to produce White Horse, a futuristic series exploring artificial human clones. However, despite the significant investment, not a single episode was ever completed.

In March 2020, Rinsch persuaded the streaming giant to send an additional $11 million, claiming the original budget was inadequate. 

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Instead of funnelling the money into production, he allegedly transferred it to personal accounts, where he embarked on a reckless spending spree, according to prosecutors.

READ ALSO: Efa Iwara vs Timini Egbuson: Is there room for more than one star?

Court documents reveal that within just two months of receiving the extra funding, nearly half of the $11 million had already been spent. Despite haemorrhaging funds, Rinsch allegedly continued assuring Netflix that the project was underway.

According to the U.S. Justice Department, the director splurged on a fleet of Rolls-Royces and a Ferrari, $1.8 million in credit card payments, $3.7 million on high-end furniture and antiques and $933,000 on luxury mattresses and bedding

In addition, prosecutors allege that he funnelled $1 million into legal battles, including a lawsuit against Netflix in hopes of securing even more funding and a divorce settlement. 


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He also attempted to multiply his wealth by investing a significant portion in cryptocurrency, which resulted in major financial losses, BBC reports.

Erratic behaviour and the downfall

Rinsch’s downward spiral had reportedly been a topic of concern among his associates. A New York Times investigation in 2023 detailed how those close to him observed increasingly bizarre behaviour following his deal with Netflix. 

He allegedly claimed to possess the ability to predict lightning strikes, foresee volcanic eruptions, and uncover a hidden “transmission mechanism” for COVID-19.

When brought before a Los Angeles court this week, Rinsch declined to enter a plea. When asked if he had reviewed the 12-page indictment, he reportedly responded, “Not cover to cover.”

The director was released on a $100,000 bail and is expected to stand trial in New York at a later date. If convicted, he faces up to 20 years in prison.

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Netflix has declined to comment on the matter.


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Entertainment

African China vs Lilly & Pincher: Revisiting the fight for a better Nigeria

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While the disparity between the poor and rich is at an all time high in Nigeria, things weren’t too different in the past as a plethora of Nigerian music proves.

One of the famous songs that called for socioeconomic justice in Nigeria is African China’s ‘Mr. President’.

On this week’s Afrobeats Throwback, we take a look at the classic record and the attempt by another artist to deliver a rebuttal.

Through Galala music which is itself a fusion of elements from Hip Hop, Reggae, Highlife, and Gyration birthed from the Ajegunle axis of Lagos, African China made a bold call on the Nigerian leaders to tow the path of justice.

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With its colourful use of pidgin English, vivid description of the economic reality, and groovy Galala production that called listeners to crouch mid-way and shuffle their legs, ‘Mr. President’ became an instant hit.

The lines “Rich man wey steal money dem no go show him face for crime fighters. But poor man wey steal maggi dem go show him face for crime fighter,” is one that connected strongly with a large population whose reality it documented.

Indeed, the bulk of Nigeria’s corrupt political elite were having a field day looting the country dry, and the few who were apprehended were let off with barely a slap on the wrist.

On the other hand, a poor man who steals something small and insignificant like a seasoning cube (Maggi) would have his face slapped on the then-popular TV show Crime Fighters.

‘Mr President’ became a call for change in a generation where artists show an admirable level of sociopolitical consciousness by highlighting the hunger and injustice in the land.


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However, not everyone agreed with African China and his social justice crusade.

Lilly & Pincher: No Look Him Face

While Nigerians from different creeds sang along to African China’s ‘Mr President,’ singing duo Lilly & Pincher didn’t appear to share similar sentiments.

Such was the strong difference they felt that they were motivated to record a rebuttal they called ‘No Look Him Face’.

The young men who also went by Soldiers For Christ were a product of the Ajegunle music hub that produced Daddy Showkey and Danfo Drivers.

They referred to African China who is also a product of the city as an alarmist attempting to blow up dust over non-existent economic issues.

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Lilly & Pincher retaining the original sonic structure of ‘Mr President’ argued that African China’s claim of hunger were false.

They even went as far as abandoning the subject matter by focusing on African China’s looks before asking the president to pay him no attention.

The song appeared like an attempt by Lilly & Pincher to get commercial success and mass attention by dissing African China who had become a national sensation.

Pitching their tent with the government was a small price to pay for the potential career turning point that the moment could become.

The Aftermath

The plan worked as predicted for Lilly & Pincher whose rebuttal also became popular albeit for negative reasons.

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Whatever impact that singing had on their career was also shortlived as the record coupled with ‘Paddy’ are the most memorable of their career.

Posterity has also sided with African China’s ‘Mr President’ which is now a classic song whose message continues to echo the call for socioeconomic justice in Nigeria.


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