Nigerian singer Ahmed Ololade, popularly known as Asake, has finally responded to reports that he abandoned his father after he fell ill.

Earlier in the week, Fatai Odunsi had publicly accused the singer of abandoning him in 2022 when a stroke hit him.

In a video that went viral on social media, Mr. Odunsi claimed the singer ignored his calls. He, therefore, appealed to the public for financial assistance.

In the video, Mr. Odunsi was accompanied by a man identified as Sonibare, who claimed to be his brother.

ALSO READ: I need your help – Asake’s alleged father cries out over recent stroke

He said, “I am the father to Asake, who is singing. The last time I saw him was when this thing happened to me on March 29, 2022.

“He does not pick up my calls anytime I call him. Now I have become tired. I have been looking for this my brother and I recently met with him.”

The singer has now responded to the allegation, taking to social media on Friday with a cryptic message delivered in a Yoruba freestyle.

The former YBNL-signed singer came with his own allegation as he appeared to suggest his father was attempting to manipulate him despite his generosity.

He sang, “You can’t please the world. Whatever you do, do it for God and always remember the day you’ll die and meet your God.

“My people, can you see? Even my father wants to cajole me. I used to press money for him, and I did it with one mind.

ALSO READ: Asake used to accept ₦700 rice, bottle of drink as performance fee – Yemi Elesho

“No one can quench my fire. God is the one that is taking me ahead in life.”

Let’s talk about Chukwudum Umeevuruo, aka C Flex – a Nigerian kid who found his voice in church choir before taking his talents to the UK’s vibrant Afrofusion scene.

Like many African artists, this Anambra native cut his teeth singing praises before deciding to chase the secular bag.

His 2017 debut “Ekeresimesi” wasn’t just some random Christmas jingle; it was a cultural reset for anyone tired of hearing about snowflakes and reindeer when their Christmas experience was more about new clothes and jollof rice.

Discography:

The man hasn’t exactly flooded the market, but what he’s dropped shows promise:

• “Ekeresimesi” (2017) – His debut that gave Christmas the African narrative it deserves

• “Supernova” and “Hustle” (2020) – Pandemic releases when we were all locked down and desperate for vibes

• “Link Up” ft. ML. Kay (2021) – A collab that showed he plays well with others

• “Mi Amor EP” (2021) – Love songs that might actually make you risk it all

• “Hypocrisy” (2022) – When he decided to get political and call out our collective BS

• “Loner” (2024) – His latest jam where he basically says, “leave me alone, I’m vibing”

Influences:

You can hear the Sunday service in C Flex’s melodies – that church training never really leaves. But he’s not giving us gospel; he’s serving a cocktail of Nigerian rhythms, UK Afroswing swagger, and that pan-African Amapiano bounce we can’t get enough of lately.

The man’s a cultural sponge, absorbing sounds from Lagos to London and wringing them out into something distinctly his own.

Style and Penmanship Analysis:

Is C Flex another “falsetto merchant” riding the wave? Not quite. Unlike the flood of male vocalists currently drowning us in head voice gymnastics, C Flex isn’t trying to make you pregnant through your earbuds.

His pen game moves between cultural storytelling (“Ekeresimesi”), social commentary (“Hypocrisy”), and that introspective vibe on “Loner” that hits different when you’re actually tired of people.

His lyrics won’t have you reaching for a dictionary, but they’ll have you nodding in agreement.

Artistic Identity and Brand Coherence:

In an era where everyone’s trying to be the next Wizkid or Burna, C Flex is refreshingly… himself. He’s not forcing the “African Giant” narrative or the “Starboy” aesthetic. Instead, he’s creating a lane as the thoughtful storyteller who can make you dance and think simultaneously.

His brand isn’t flashy watches and designer labels; it’s authentic stories delivered with conviction. The long gaps between releases aren’t helping his momentum, though. In this TikTok era, you blink and people forget your name.

Engagement and Reception:

C Flex isn’t breaking streaming records like CKay’s “Love Nwantinti” just yet, but he’s building something potentially more valuable – a fanbase that actually listens to his message.

His “Mi Amor EP” showed he can capture hearts, while “Loner” suggests he’s not afraid to get vulnerable when everyone else is flexing. In a market saturated with party anthems, his emotional authenticity stands out.

Comparative Standing in Contemporary Afrobeats:

Let’s keep it a buck – C Flex isn’t in the same conversation as Rema, Asake, or Tems right now. Those cats are already eating at the global table while C Flex is still preparing his meal.

But not everyone needs to blow up overnight. Remember Burna Boy before “African Giant”? Exactly. C Flex’s UK position gives him a unique perspective that could eventually become his superpower in this increasingly global genre.

Conclusion: Potential and Positioning:

Is C Flex worth your attention? If you’re tired of cookie-cutter afrobeats and want something with a bit more soul and substance, absolutely.

He’s not going to dominate your TikTok feed tomorrow, but he’s building the foundation for something potentially more lasting. What he needs now is consistency, visual aesthetics that match his sonic quality, and the right collaborations to amplify his voice.

Keep him on your radar – not every star explodes; some just steadily rise until you can’t ignore their light.

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Award-winning rapper OdumoduBlvck has described himself as the new Olamide Baddo.

He made this assertion in a post on his X page on March 14, 2025, hours after his latest guest appearance on Wizard Chan‘s new song ‘Flako’.

His claim is likely motivated by his rising profile as Nigeria’s most prolific rapper whose guest appearances have propelled songs to hit status akin to the star-making power for iconic rapper Olamide Baddo.

OdumoduBlvck’s status as a successful rapper was recently captured by his 8 nominations for the upcoming 17th Headies awards.

The rapper is having a busy 2025 as he has released a couple of singles ahead of the impending arrival of his new album titled ‘The Machine’.

OdumoduBlvck recently released the single ‘Pity this Boy’ featuring Victony, which has enjoyed success on streaming platforms and social media.

OdumoduBlvck also recently released the joint project ‘Nothing Change’ with his crew Antiworld Gangsters, on which Olamide appeared on the song ‘Jegede’.

Since announcing himself in the mainstream with his hit song ‘Picanto’ featuring Zlatan, OdumoduBlvck has enjoyed a speedy ascension to stardom.

His hit single ‘Declan Rice’ named after the England football star enjoyed international acclaim and was used to unveil the player after he became Arsenal’s record-breaking signing.

His success brought him the attention of global hip-hop stars, including Skepta, Stormzy, and Rick Ross, who have all hailed him for his unique sound.

With his upcoming album, the rapper will be aiming to improve on the record of his 2023 project ‘Eziokwu’ which is one of the most successful rap albums in the streaming era of Nigerian music.

With ‘The Machine’, OdumoduBlvck will be aiming to continue to restate his position as one of Nigeria’s most exciting stars.