In an era where artists are either too scared or too strategic to speak the truth, Great Adamz chooses neither. Instead, he chooses justice. He chooses honesty.

He chooses “Blessing”—the opening track off his latest album—as his weapon of truth. And now, he’s bringing it to the screen in a powerful new video that drops Friday, April 25th, 2025.

While the song carries spiritual undertones of prayer, perseverance, and eventual breakthrough, it’s Verse Two that cuts through Nigeria’s political hypocrisy like a surgeon’s blade. It isn’t subtle. It isn’t polished. It’s raw, uncomfortable, and necessary.

> “Politician Dey Jelo, chop us like indomie / If you talk too much na felony…”

This isn’t metaphor for metaphor’s sake—it’s reality. It’s the fuel subsidy scam. It’s the bloated budgets, the stomach infrastructure politics, the lawmakers buying luxury SUVs while citizens ration petrol and food. It’s the kind of truth that too often gets swallowed by censorship or sanitized by fear.

> “You gon learn o, you gon learn / Where dem dey take this money go? / Shey na six feet down below?”

Adamz doesn’t just ask rhetorical questions. He issues a moral indictment. As Nigeria grapples with crippling inflation, a volatile Naira, mass unemployment, and violent insecurity, this verse puts the corrupt elite on trial—not in court, but in the court of public opinion.

He challenges the obscene detachment of leadership in lines that bite hard:

> “Them dey hail you Presido / While you dey kill your people slow”

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This is not just a song. It’s a mirror. A protest. A prayer wrapped in poetry. It calls out the rot without apology and demands better—not through slogans, but through accountability.

And still, even amidst the anger, “Blessing” retains a thread of hope. Because that’s the paradox of being Nigerian—you rage, you mourn, you hustle, and you hope. The chorus still pleads for favour. Still believes in God’s timing. Still looks to the sky while calling out the snakes in the system.

With the official video set to premiere this Friday, expect visuals that match the intensity of the message. Expect symbolism. Expect truth. And if you’re in power and this makes you uncomfortable? Good. It should.

This is not just entertainment.

This is a statement.

This is Great Adamz.

And this is “Blessing.”

Click to Stream “Great Adamz – Blessings (Mo Gbe)” via Spotify

Click to Watch “Great Adamz – Blessings (Mo Gbe)” via YouTube

CONNECT WITH “Great Adamz”

X (formerly Twitter): @greatadamz

Instagram: greatadamz

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Nigerian singer, songwriter, and genre-fluid innovator Dice Ailes makes a vibrant return with ‘Towa’, a log drum-laced love declaration that merges street bounce with romantic bravado.

‘Towa’ is Dice Ailes at his most confident and charismatic, a lover boy with receipts.

On a beat powered by pulsating log drums and breezy Afropop melodies, Dice paints a picture of loyalty that laughs in the face of hardship.

It’s cheeky, addictive, and honest, the kind of record that plays just as well in a beach club as it does in a danfo.

At its core, ‘Towa’ isn’t about fairy-tale fantasies; it’s about a partner so solid, even broken days come with laughter, warmth, and unwavering devotion.

It’s about love without conditions. Love that stays. Love that chooses you, always. Produced with a kinetic groove that nods to the Amapiano wave but anchored in Nigerian rhythmic sensibilities, ‘Towa’ is a smooth evolution for Dice Ailes balancing lyrical with sonic experimentation.

He’s not here to beg for love; he’s here to prove he’s worth it, no matter the bank balance.

With a decade in the Nigerian music industry, Dice Ailes is an important voice in Afrobeats, as he has contributed to shaping the new school sound.

Known for his catchy hooks and collaborations with industry heavyweights like award-winning rapper Falz and history-making Afrobeats queen Tiwa Savage, Dice Ailes has solidified a versatile star in Nigerian music.

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Beyond his musical prowess, Dice Ailes is recognized for his unique fashion sense, blending high fashion and urban streetwear with African fabrics.

Grammy-winning rapper Kendrick Lamar has become the black male artist with the highest-grossing concert in the United States.

He achieved this with his landmark concert in Arlington Texas, where he sold out the 80,000 capacity AT&T Stadium as part on April 26, 2025 as part of his joint Grand National Tour alongside SZA and Mustard.

The Compton rapper broke the previous record set by Canadian megastar The Weeknd, who grossed $9.8 million in his 2022 Sofi Stadium concert.

2025 has been a record-breaking year for the rapper, whose performance at the 2025 Super Bowl broke the record for the most-watched in history.

In the match between the Philadelphia Eagles and Kansas City Chiefs which also became the most watch in the game’s history with 127 million viewers, Kendrick Lamar set a halftime viewership record.

Kendrick Lamar’s Super Bowl 59 performance was watched by 133.5 million users, which slightly edged Michael Jackson’s record of 133.4 million U.S. viewers in 1993.

The rapper became the first solo hip-hop act to headline the famous halftime show in which he performed a compilation of some of his hit singles including ‘Humble’, ‘Loyalty’, and ‘Money Trees’.

The 22-time Grammy winner brought her SZA for a performance of their hit collaboration ‘All The Star’ while actor Samuel L Jackson played the narrator who steered the rapper to deliver what the people wanted to hear.

Earlier in the year, Lamar won 5 Grammys for ‘Not Like Us’ at the 67th Grammys, including record-making wins for Song of the Year and Record of the Year.

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His win took his golden gramophone collection to 22, which places him just behind Kanye West (24) and Jay-Z (25) as the rappers with the most wins.