Entertainment
‘After completing 2 seasons, the challenges become familiar’-Roger Ofime on Wura season 3
Published
‘After completing 2 seasons, the challenges become familiar’-Roger Ofime on Wura season 3, Under the direction of award-winning producer Rogers Ofime, WURA has captivated audiences with its gripping storylines, complex characters, and production quality.
In an exclusive sit-down with Pulse Nigeria, Ofime shared his creative vision and journey of the series and his take on what makes this final chapter a must-watch.
What can fans look forward to in this upcoming instalment?
Enthralling! fans should expect more intense drama, unexpected twists, and deeper character development. The storyline is likely to take some bold new directions, exploring untold backstories while introducing new characters that will shake up the dynamics. Fans should also look forward to elevated production quality and suspenseful moments that will keep them on the edge of their seats.
How does Season 3 build upon the previous seasons, and what new themes or storylines should viewers expect this time around?
Audiences should expect a deeper exploration of themes introduced in previous seasons, while building on the existing tension and character arcs. The stakes are higher, with more complex relationships and conflicts coming to the forefront. Themes of betrayal, redemption, and power struggles become heightened, adding fresh layers to the narrative. Additionally, this season will introduce unforeseen twists and new characters, further enriching the storytelling and keeping viewers engaged with unexpected developments and emotional depth.
As a creator who has worked on several African original titles, especially for Showmax and Africa Magic, what makes Wura unique and how do you ensure it resonates with both Nigerian and pan-African audiences?
Wura stands out among other Nigerian and African productions due to its strong female lead, originality of location, dialogue, depth acting and complex portrayal of power dynamics in a traditionally male-dominated society. Its unique blend of intense drama, moral dilemmas, and deeply-rooted cultural themes resonates not just with Nigerian audiences but also across the African continent.
With Wura gaining a strong following across Africa, how do you balance traditional African storytelling with contemporary themes that appeal to a younger, more modern audience, particularly given Showmax’s mobile-first audience?
The success of the show across Africa lies in its ability to blend traditional African storytelling with modern, contemporary themes that resonate with today’s tech-savvy, younger audience. The show balances this by staying rooted in rich African traditions, culture, and values while integrating storylines that reflect current realities such as gender dynamics, personal ambition, corruption, and social justice issues.
To appeal to the younger generation, we ensure that the characters are relatable and face challenges that young people today can identify with, such as career pressures, love, and the pursuit of success in a fast-paced world.
What challenges did you encounter during the production of Season 3, and how did the team overcome them? How has your previous experience with African originals shaped your approach to this project?
After completing two seasons, the challenges have become familiar territory. The key has always been staying a step ahead of any potential issues, which requires continuous planning, review, and analysis. While perfection isn’t always achievable, proper planning ensures seamless execution, allowing you to navigate obstacles without breaking a sweat.
One crucial aspect to remember is that your team is your greatest ally throughout the process—before, during, and after. Every team member plays an essential role in the project’s success, especially when they’re inspired by the shared vision and the drive to achieve the desired outcome.
Representation and authenticity are key elements of African content. How did you ensure that Season 3 meaningfully reflects diverse African cultures and experiences?
In Wura Season 3, we were intentional about representing the diversity of African cultures and experiences in a way that feels authentic and relatable. Though Wura has a Western Nigeria backdrop, we incorporated a wide range of characters with different backgrounds, traditions, and languages, reflecting the multicultural richness of Nigeria and Africa as a whole. By weaving in elements of local customs, folklore, and regional dialects, we grounded the story in the realities of African life.
This season, the cast of Wura have truly brought their A-game, delivering powerful and emotionally charged performances that elevate the story to new heights. Several standout moments this season showcase the cast’s ability to tap into deep emotions and complex character dynamics.
One of the key highlights has been the development of the lead characters, who undergo significant personal transformations. Their struggles with power, morality, and loyalty are portrayed with raw intensity, making their journeys even more compelling. The supporting cast also shine this season, with new characters bringing fresh energy and unexpected twists to the storyline.
How do you see the growth of African original content on streaming platforms? Where does Wura fit into this evolving landscape, especially given Showmax’s position in Africa and the growing competition for the same market?
Wura fits into this landscape by setting a new standard for African drama. It strikes a balance between authentic storytelling and universal themes that appeal to both local viewers and the wider pan-African market. As Showmax continues to expand, Wura not only strengthens its position within the African entertainment space but also competes with global content by showcasing Africa’s diverse narratives and talent. With the competition growing, Wura’s success is proof that there’s a strong appetite for rich, well-crafted African stories that reflect our realities while standing shoulder to shoulder with international productions.
With the growing global recognition of African content, how do you see Wura contributing to the expansion of African storytelling in the international entertainment industry?
By combining traditional African storytelling with modern cinematic techniques, Wura is helping to redefine the perception of African content in the global entertainment industry. It showcases the depth of talent and creativity in African cinema and positions African stories as not just regional but globally relevant. As platforms like Showmax continue to gain traction internationally, Wura contributes to the growing body of work that proves African content can stand alongside the best in the world, offering fresh perspectives and compelling narratives that enrich global entertainment.
Wura Adeleke has been seen by many as being ruthless in her business dealings and fight for the gold resources in Iperindo, how did her character evolve in season 3?
In Wura Season 3, fans can expect to see an even more intense and calculated side of Wura Adeleke as she continues her ruthless pursuit of power and control over the gold resources in Iperindo. As the stakes rise, Wura’s determination will push her to make more daring and morally questionable decisions, challenging her relationships with both allies and enemies. However, this season also promises to delve deeper into her character, revealing vulnerabilities and motivations that were previously hidden.
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Entertainment
He fought a 15-year legal battle for rights to his songs – Mike Ejeagha Documentary director [Pulse Inteview]
Published
4 days agoon
December 17, 2024By
JulieHe fought a 15-year – He fought a 15-year…
He fought a 15-year – Mike Ejeagha is a…
Mike Ejeagha is a folk musician popular among South-Easterners for his unique storytelling through music.
Ejeagha has woven the cultural essence of the Igbo people into each of his songs.
However, his music had long been relegated to the archives of Nigerian history, until an unexpected event changed the course as comedian Brain Jotter sampled one of Ejeagha’s iconic tracks, birthing the viral “Gwo gwo gwo ngwo” trend on social media
This viral moment sparked a resurgence of interest in the legendary musician’s work, with young Nigerians reconnecting with the rhythms and storytelling that Ejeagha’s music embodies. As though designed by providence, a documentary about his life and influence was already in the works before this Renaissance, thrusting the forgotten legend back into the cultural limelight.
The documentary, set to be released to the public for the first time on December 21, 2024, captures Ejeagha’s remarkable journey as well as his deep connection to the Igbo people, their traditions, and the impact his music has had over the years.
Pulse Nigeria recently sat down with Michael Chineme Ike, the director of the Mike Ejeagha Documentary to discuss this unique journey of rediscovery, the challenges of bringing the story to life, and the importance of preserving the legacy of artists like Ejeagha.
This interview has been edited for clarity and length.
What inspired you to create a documentary about Mike Ejeagha?
As a kid growing up in Igbo land, I listened to Mike Ejeagha’s music and it was always unique how every one of his songs taught a moral lesson. I learnt that it’s wrong to steal from his song "Onye ori Utaba". I didn’t know him or meet him personally but I loved his music. Decades later, almost everyone like myself thought he was late, until somehow his story appeared online when Amarachi Attamah and Charles Ogbu brought to the public notice that the legend is alive but more than that, he is living in poverty. This was sad. I didn’t have money to donate but decided to use my filmmaking skills to give the man a much bigger gift: a legacy that no other Igbo legend has had the pleasure of experiencing. And what’s more important than doing this and celebrating him while he is still alive with us?
How did you go about researching Mike Ejeagha’s life and work?
It wasn’t easy. The internet doesn’t have so much about his life. I had to visit the family and interview him and his children. He was already very old and could barely talk properly or remember things. I also researched his work experience and visited people who had the opportunity to work with him in the past. Most were dead but those I could find were able to provide so many details about the man and his exploits that helped form the story.
What were some of the challenges you faced while working on this documentary?
Well, there is funding. Filming documentaries isn’t cheap and I learnt that the hard way as this was the first documentary film I embarked on in my career. As documentaries aren’t great money-making ventures, getting people to invest in the project was also hard, so I had to carry most of the cross. Another major challenge was the lack of archival footage to help with visuals in the documentary. Mike Ejeagha lived in a time with little or no digital video recordings, so there was almost nothing to be found of him on the internet.
He doesn’t have much at home either and even TV stations he worked with gave excuses like a fire incident in the past burning up videos of his programs on TV. These things made it hard for us. But thanks to the extra efforts from my team and me, we were able to dig deeper and also got some with the help of AI. We then created more scenarios from stories we got from our research and interviews.
READ ALSO: Mercy Aigbe’s December release, ‘Thin Line’ makes ₦28.5 million since its release
Can you share any special or surprising discoveries you made about Ejeagha during the production?
To avoid any spoilers, I discovered that while the world had thought that Mike Ejeagha was dead, the man was simply battling a long legal battle with his record label over the rights to use his songs and make music videos out of it. This lasted for over 15 years until the Enugu State Government stepped in. I also found out that he contributed over 200 songs to the National Archives, a rare feat that many people were unaware of.
How did Brain Jotter’s use of Mike Ejeagha’s song impact your work on the documentary?
I had long started and even concluded interviews for the project before BrainJotter did what he did. However, I was in a stalled moment due to funds preventing me from going immediately into post-production. When the dance went viral, many people who knew about my project advised that it was best to release the project in the heat of the moment, little did they know I would love to but the issue of funds persisted. Eventually, I did get some help with a last-minute investment from Charles Ogbu who has been like a son to Mike Ejeagha and I was able to get things rolling again. Thank God, I’m able to finish soon enough and here we are today, about to premiere with the trend still fresh in people’s minds.
Do you think the trend revived public interest in Mike Ejeagha or were people already nostalgic about his music?
Mike Ejeagha’s music is unique and many people loved it. But in this Gen Z generation, I would say Brain Jotter’s dance trend did play a very key role in reviving public interest in the man. In fact, his music was more popular than himself and many people didn’t even know who he was or that he was still alive. The trend did help a lot.
Did the trend influence any creative choices you made in the documentary?
In a way, yes. One of Mike’s music, titled "Uwa mgbede ka mma" loosely translates to he who laughs last, laughs best. We can say that after going through all the life challenges he went through, the universe decided to bless him during his last days on earth. This helped to bring a perfect ending to the documentary because he was still alive. We couldn’t have possibly ended with his death. The Brain Jotter trend, his story revival which even attracted the state governor and many prominent persons to him, was a perfect and emotional end to the project.
What role do you think social media plays in preserving cultural icons like Mike Ejeagha?
Social media plays a transformative role in preserving cultural icons like Mike Ejeagha by creating a global platform for their stories and works to be rediscovered and celebrated. It helps amplify their legacy, making it accessible to younger generations who may not have experienced their contributions firsthand. Through social media, fans and supporters can share memories, performances, and interviews, keeping their influence alive. In Mike Ejeagha’s case, platforms like Facebook and YouTube have become archives for his music and storytelling, while influencers and cultural enthusiasts spark conversations around his impact. Social media also facilitates advocacy, as seen when fans and activists rallied support during his legal battles and for his recent recognition. It bridges the gap between generations, ensuring that the essence of his artistry and Igbo culture continues to inspire a global audience.
What message do you hope audiences take away from this documentary?
Do you have plans to work on more documentaries about Nigerian folk legends or other cultural icons?
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Entertainment
I wish I met you before the wrong person – Portable's baby mama tells new man
Published
4 days agoon
December 17, 2024By
JulieI wish I met – I wish I met…
I wish I met – Singer Portable’s second baby…
Singer Portable’s second baby mama, Honey Berry, has taken to social media to appreciate her new man, and people say she subtly shaded you know who in the process.
Taking to Instagram on December 16, 2024, Honey Berry posted a video of herself and her partner to her Instagram page and expressed heartfelt affection for him, writing, “It’s Monday 👩❤️💋👨 Baby I want you to know that you are the love of my life,❤️that your soul and mine are one in the same,and that I will love you a million lifetimes from now! You have no idea how happy you make me sweetheart.👩❤️💋👨”
“I will spend my life making you as happy as you make me. I just love you so damn much.🥰We share such an amazing one of a kind love they is so pure and so true.💕Tonight you just have my heart overflowing. I just wish you were here so l could cook for you and watch a movie together. Sweetheart I cannot wait to be holding you again.💃I hope you have a good night and sleep well my angel.I love you baby Love you from the very depths of my soul,” she added.
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Though sweet and warm, Berry’s last statement, “I wish had met you before the wrong 💔person🤮🤮,” sparked reactions from social media users, with many believing that it was shade thrown at Portable.
“Na only this girl get sense among portable baby mama’s 😂I know she will be regretting knowing portable for her life,” said an Instagram user in the comments.
Another comment read, “Sisterhood is proud of you, my Baby”
“Portable don set ring light 😂,”said another person.
Another Instagram user asked, “Who be the wrong person ejoor? 😂”
Recall that in 2023, Honey Berry and Portable had a public spat after she took to her Instagram live session to angrily call the singer out for abandoning their child, revealing that he has been missing in action for the past four months. Honey Berry also alleged that her baby daddy tried to create a rift between her and his first wife Bewaji by only posting her.
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Entertainment
Mercy Aigbe's December release, ‘Thin Line’ makes ₦28.5 million since its release
Published
4 days agoon
December 17, 2024By
JulieMercy Aigbe's December release, – Mercy Aigbe's December release,…
Mercy Aigbe's December release, – Nollywood actress and producer…
Nollywood actress and producer Mercy Aigbe’s Thin Line has grossed ₦28.5 million at the box office since its release on December 13, 2024.
Thinline is up against tough competition this December from other high-budget holiday films, including projects from Funke Akindele, Toyin Abraham, Ayo “AY” Makun, and Ghanaian director Peter Sedufia. However, with December being a prime month for the industry, Thinline has already established itself as a strong contender for audiences looking for an engaging drama this festive season.
Distributed by Cinemax, the film is a compelling drama that delves into themes of faith, betrayal, and redemption, drawing audiences in with its intense narrative.
Starring Uzo Arukwe, Jaiye Kuti, Cute Abiola, Yvonne Jegede, and others, the film is directed by Akay Mason. Before its nationwide release, Thinline already raked in N3.5 million from advanced screenings.
READ ALSO: Why some Nigerians ‘can’t deal’ with Nollywood films
Mercy Aigbe has established herself as a powerhouse in the Nigerian film industry. In 2016, she took a significant step towards nurturing new talent by founding the Mercy Aigbe Gentry School of Drama. Renowned for her versatility and commanding presence, Aigbe has starred in and produced countless films, earning her a reputation as one of Nollywood’s most influential actresses.
Aigbe’s impact is still growing. This year, she made major waves with two blockbuster films: Farmer’s Bride, which grossed over N100 million, and Beast of Two Worlds, which earned over N200 million after its cinema run.
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