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Addressing the lack of award shows in Nigerian music

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Addressing the lack of award shows in Nigerian music

With 2025 just weeks away, it’s almost certain that there will be no Nigerian music award ceremony this year.

The perennial Headies Awards, the SoundCity MVP, and the continental music prize AFRIMA appear to have no plans to hold this year. Even Trace Awards which offered a ray of hope to the Nigerian music award circuit in 2023 is prime to have a gap year.

With no award gala to celebrate the feats recorded in 2024 in Nigerian music, this writer wonders what this glaring lack of structure says about the ecosystem.

How did we get here?

Nothing about Nigeria’s infrastructural decay is new. In fact, the struggles of the Nigerian music industry to develop structures that will consolidate its global rise are reflective of the country’s poor economic indices and lack of sustainable plans.

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For nearly two decades, the Headies have been Nigeria’s foremost prize in music. The role it has played in celebrating Afrobeats’ success, documenting its trends and evolution, and endorsing future stars for greatness cannot be overstated.

In the past decade, the Headies have suffered setbacks due to the recurring issues of credibility peculiar to award ceremonies and a disturbing decline in the quality of production and execution. The Academy has struggled to retain the high standards it set for itself, and with Nigerian music gaining global recognition and stars winning international awards, the country’s biggest prize in music invariably had to take a back seat.

The Academy made a commendable attempt at a comeback through its partnership with the American Embassy whose patronage assisted them in holding consecutive ceremonies in Atlanta. However, the gains of the 16th Edition that saw two of the country’s biggest stars Rema and Asake in attendance may have been eroded with another inexplicable gap year.

It’s almost the same story for other awards ceremonies that kick off with promise but soon begin to struggle to stay consistent due to issues of funding, support, and a decided disinterest by Nigerian music superstars to lend their support to foster the credibility needed to build a strong foundation.

What Must Be Done

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This writer believes it’s an indictment on the Nigerian music ecosystem that there’s no single award ceremony in a calendar year.

This lack of structure in rewarding the works of the artists and stakeholders in the ecosystem is even more telling when one considers how Nigerian artists recently submitted their works en masse to the Recording Academy in the hopes of getting a nod.

Nigerian music cannot continue to make strides internationally while these gains are lost on the local industry where stakeholders appear to be solely focused on lining their pockets rather than building structures that will advance and sustain growth.

Economic factors remains the major hurdle with award bodies struggling to garner the financial support to build and maintain these ceremonies. To mitigate this, organisers and academies must lobby the appropriate ministries, agencies, and public officials for valuable governmental support.

In an impressive feat, the Nigerian music industry can boast of having one of its finest executives in the current government in Mr. Obi Asika who leads the National Council for Arts and Culture. Organisers must approach the government and private stakeholders with clear demands for support that will cushion economic challenges.

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This writer also strongly holds the view that the Nigerian music award circuit needs new ideas and fresh faces that can reflect the yearnings of a new generation. The gatekeeping that shapes this part of the ecosystem must be replaced with bold and ingenious organisations ready and eager to build, scale, and stay consistent.

Kudos must be given to TurnTable Charts whose bold efforts in collating and documenting music data have created a chart reflective of local music consumption habits. The corresponding award also provides an avenue to celebrate the best-performing songs in the country.

The stars, labels, and all stakeholders in the ecosystem must show support to innovative platforms daring to build structures that can bring credibility and prestige to the Nigerian music award circuit.

While building structures is the first part, consistency, and innovation are what will create platforms that can endure the inevitable tantrums of artists who feel wronged. Nigerian music award organisers can take a lesson or two from the Africa Magic Viewers Choice Award whose prestige is built on top-notch production, proper execution, and consistency.

Bottom Line

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By and large, 2024 has come with many lessons for the Nigerian music ecosystem that still has little to show in terms of sustainable infrastructure.

Irrespective of how one feels about awards, they provide an avenue to reward excellence and document the music that shapes different eras. They are platforms that should be handed down to future generations as a worthy legacy.

Every serious music industry should be able to boast of a reputable award ceremony. It’s time for the Nigerian music ecosystem to get to work.
#Addressing #lack #award #shows #Nigerian #music


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BBNaija's phyna cries over widespread hunger in Nigeria

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Reality TV star and Big Brother Naija winner Phyna has voiced her concerns over the growing hunger crisis in Nigeria, calling for urgent action and unity among Nigerians.

In an emotional video posted to her Instagram on March 20, 2025, the actress lamented the worsening state of food insecurity, emphasising that the current hunger is not just about the absence of food but also the erosion of hope for many Nigerians.

The issue of hardship and hunger in our nation strikes the heart of all, young and old, rich and poor. The hunger we experience now is not just the absence of food on our plate, it is the absence of hope on our heart. There are so many children who should be at school that are instead searching for food and parents who would go to bed on an empty stomach not knowing where their next meal is coming from.

ALSO READ : Nigeria pushing hungry, unemployed youths towards revolution — Obasanjo warns

She also criticised the lack of collective action, questioning why Nigerians have not united to demand change from their leaders.

Yet despite the growing crises, what do we say? Where is the collective voice? Where is the unity that should bind us together as one nation? We are unable to find together for the greater good.

The truth is that hunger is not a distant problem, it’s in every home and community. We need to come together as one nation, put our difference and focus on our wellbeing. We must demand accountability from our leaders in words and actions.

We need assurance that every Nigerian in the rural and urban areas have access to food security and a dignified life. It is time to ask why we are allowing hunger to persist in our country that has so many resources

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Hollywood filmmaker accused of swindling Netflix of $11M 

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Renowned Hollywood director Carl Erik Rinsch, best known for the 2013 action-fantasy film 47 Ronin, has been arrested on charges of fraud and money laundering after allegedly misusing $11 million from Netflix. 

According to BBC News, the funds, intended for the development of a sci-fi series titled White Horse, were reportedly diverted toward luxury cars, cryptocurrency investments, and extravagant personal purchases.

Between 2018 and 2019, Netflix provided Rinsch with an initial budget of $44 million to produce White Horse, a futuristic series exploring artificial human clones. However, despite the significant investment, not a single episode was ever completed.

In March 2020, Rinsch persuaded the streaming giant to send an additional $11 million, claiming the original budget was inadequate. 

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Instead of funnelling the money into production, he allegedly transferred it to personal accounts, where he embarked on a reckless spending spree, according to prosecutors.

READ ALSO: Efa Iwara vs Timini Egbuson: Is there room for more than one star?

Court documents reveal that within just two months of receiving the extra funding, nearly half of the $11 million had already been spent. Despite haemorrhaging funds, Rinsch allegedly continued assuring Netflix that the project was underway.

According to the U.S. Justice Department, the director splurged on a fleet of Rolls-Royces and a Ferrari, $1.8 million in credit card payments, $3.7 million on high-end furniture and antiques and $933,000 on luxury mattresses and bedding

In addition, prosecutors allege that he funnelled $1 million into legal battles, including a lawsuit against Netflix in hopes of securing even more funding and a divorce settlement. 

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He also attempted to multiply his wealth by investing a significant portion in cryptocurrency, which resulted in major financial losses, BBC reports.

Erratic behaviour and the downfall

Rinsch’s downward spiral had reportedly been a topic of concern among his associates. A New York Times investigation in 2023 detailed how those close to him observed increasingly bizarre behaviour following his deal with Netflix. 

He allegedly claimed to possess the ability to predict lightning strikes, foresee volcanic eruptions, and uncover a hidden “transmission mechanism” for COVID-19.

When brought before a Los Angeles court this week, Rinsch declined to enter a plea. When asked if he had reviewed the 12-page indictment, he reportedly responded, “Not cover to cover.”

The director was released on a $100,000 bail and is expected to stand trial in New York at a later date. If convicted, he faces up to 20 years in prison.

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Netflix has declined to comment on the matter.


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African China vs Lilly & Pincher: Revisiting the fight for a better Nigeria

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While the disparity between the poor and rich is at an all time high in Nigeria, things weren’t too different in the past as a plethora of Nigerian music proves.

One of the famous songs that called for socioeconomic justice in Nigeria is African China’s ‘Mr. President’.

On this week’s Afrobeats Throwback, we take a look at the classic record and the attempt by another artist to deliver a rebuttal.

Through Galala music which is itself a fusion of elements from Hip Hop, Reggae, Highlife, and Gyration birthed from the Ajegunle axis of Lagos, African China made a bold call on the Nigerian leaders to tow the path of justice.

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With its colourful use of pidgin English, vivid description of the economic reality, and groovy Galala production that called listeners to crouch mid-way and shuffle their legs, ‘Mr. President’ became an instant hit.

The lines “Rich man wey steal money dem no go show him face for crime fighters. But poor man wey steal maggi dem go show him face for crime fighter,” is one that connected strongly with a large population whose reality it documented.

Indeed, the bulk of Nigeria’s corrupt political elite were having a field day looting the country dry, and the few who were apprehended were let off with barely a slap on the wrist.

On the other hand, a poor man who steals something small and insignificant like a seasoning cube (Maggi) would have his face slapped on the then-popular TV show Crime Fighters.

‘Mr President’ became a call for change in a generation where artists show an admirable level of sociopolitical consciousness by highlighting the hunger and injustice in the land.


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However, not everyone agreed with African China and his social justice crusade.

Lilly & Pincher: No Look Him Face

While Nigerians from different creeds sang along to African China’s ‘Mr President,’ singing duo Lilly & Pincher didn’t appear to share similar sentiments.

Such was the strong difference they felt that they were motivated to record a rebuttal they called ‘No Look Him Face’.

The young men who also went by Soldiers For Christ were a product of the Ajegunle music hub that produced Daddy Showkey and Danfo Drivers.

They referred to African China who is also a product of the city as an alarmist attempting to blow up dust over non-existent economic issues.

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Lilly & Pincher retaining the original sonic structure of ‘Mr President’ argued that African China’s claim of hunger were false.

They even went as far as abandoning the subject matter by focusing on African China’s looks before asking the president to pay him no attention.

The song appeared like an attempt by Lilly & Pincher to get commercial success and mass attention by dissing African China who had become a national sensation.

Pitching their tent with the government was a small price to pay for the potential career turning point that the moment could become.

The Aftermath

The plan worked as predicted for Lilly & Pincher whose rebuttal also became popular albeit for negative reasons.

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Whatever impact that singing had on their career was also shortlived as the record coupled with ‘Paddy’ are the most memorable of their career.

Posterity has also sided with African China’s ‘Mr President’ which is now a classic song whose message continues to echo the call for socioeconomic justice in Nigeria.


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