Entertainment
Is Afrobeats struggling to mint new stars?
Published
Is Afrobeats struggling to mint new stars? Many who hold the sentiments that Afrobeats has struggled in 2024 do so mostly from comparing the success of the preceding years, especially the last two years where Asake, Seyi Vibez, Odumodublvck, and Shallipopi rose from relative obscurity to superstardom.
The absence of an emphatic breakout star in 2024 that mirrors their impact and success and the absence of the corresponding volume and weight of hit songs has created a somewhat pessimistic evaluation of the year.
While some industry executives and tastemakers have attempted to contextualise the conversation by pointing out that palpable digital success, valuable industry co-signs, and a handful of charting records are sufficient criteria with which to define a breakout star, the very need for such context suggests that something might indeed be wrong.
What are the possible reasons Afrobeats is struggling to mint new stars?
High Ceiling
While Nigerian mainstream music has consistently minted new stars since the rise of the digital era in the mid-2010s, the impact of social media in amplifying the success of the class of 2022/2023 through every chart-topper and sold-out concert has created criteria that emerging acts must pass to qualify as breakout stars.
Afrobeats’ poor showing on the global stage
Culture Journalist Chinonso Ihekire the concerns over the lack of breakthrough stars in 2024 mostly stems from Nigerian mainstream music’s weak showing on the global stage.
“I think, in terms of global exports, we haven’t had it that great this year. Locally, we still have a surge in new entrants to the industry, but there’s just really no new entrants from here on the global scene”.
Ihekire also attributes Afrobeats’ poor showing on the global stage to a funding issue that stems from inequitable distribution and poor prioritisation rather than a lack of capital.
Consistency and volume
Emmanuel Zhaji founder of Album Talks opines that the absence of an emphatic breakout star in 2024 is due to the lack of multiple hit records by the artists being touted as the new class of stars. All of Asake, Seyi Vibez, Odumodublvck, and Shallipopi had a collection of hit singles in their respective break-out years. A feat, Zhazi says is clearly missing in 2024.
“To be a nondebatable proper breakout star in a said year, you need consistency, and none of the contenders has been consistent with their peak.”
On why this is the case, Zhaji declined to engage in the excessive analysis that shapes such subjects.
“We can try to overanalyse things but whenever a star good enough to break out wants to break out, there’s not a single thing that can stop them”.
Consumer passiveness
There continue to be concerns over the massive attention consumers pay to heavily marketed regurgitated sounds. On Air Personality Realskillz blames the struggles to mint new stars on the inability of consumers to appreciate emerging artists coming offering a new sound.
“The public are busy consuming bandwagonism which they have been tricked into happily accepting. So when new artists doing unique things need a sizable number of listeners to push them to fame, the public is busy consuming what they have been peer-pressured to listen to. Hence why we have so many super talented artists who are under the underrated umbrella.”
On the flip side of this argument that lays the blame at the foot of the audience is the defense that consumers will mostly listen to what is heavily marketed to them, and the biggest artists have the deepest pockets to propel their songs to commercials.
The diminishing return of Amapiano fusion
Asake’s vibrant fusion will bring him success, and it became the pathway through which Seyi Vibez and Shallipopi soared to stardom, and even KCee scored another mainstream run.
With the absence of an era-defining sound for new artists to add their touch, they had to rely on the strength of their talent to win over listeners and soar to fame. Ayo Maff, Taves, Nasboi, Boy Pee, Hyce, and Brown Joel (Ogechi Boys), Llona, Kaestyle, ShineTTW, Wizard Chan, Muyeez, and TML Vibez are some of the artists that have captured listeners attention with successful releases. However, when their impact is juxtaposed with those from the class of 2022 and 2023, one will appreciate the question marks over their status as breakout stars.
A global phenomenon
2024 has been a challenging year for the global music industry with several markets struggling to mint stars and major labels engaging in massive layoffs.
In the United States, Country music and Pop had breakout stars with Shaboozey, Bailey Zimmerman, Chapelle Roan, Sabrina Carpenter, Teddy Swims, and Benson Boone. However, hip-hop struggled to mint a new star with Sexy Redd being the sole notable entrant.
Dancehall, Afrobeats, and even the vibrant K Pop scene have had a slow year with no notable breakout stars. A problem some experts have attributed to short consumer attention spans and the proliferation of music.
Bottom line
However one chooses to view it, there have been new stars in Nigerian music in 2024. That they didn’t hit the levels of their predecessors is a reflection of the state of the industry and perhaps their talent.
At any rate, this is a reminder for artists and their handlers to pay attention to making music that connects with the pulse of the consumers. The artisiness and unoriginality of releases have diminished the interest and organic support needed to rocket an artist from relative obscurity to stardom.
While the industry awaits a new star that ticks all the boxes, the debate over the adjustment of the criteria for a breakout star rages on. Should a run of consecutive hit singles and a wide acceptance be the metric? Or is a popular song, a couple of millions in streams, and some traction on social media the new metric?
The next set of breakout stars might be the decider.
Related
Turo247News is on WhatsApp!
CLICK HERE TO JOINShare News with us via Email: turo247newz.com@gmail.com
Join Our Social Media Channels- WhatsApp: Turo247 News Room
- Facebook: Turo247newz
- Twitter: @turo247newz
- Instagram: @turo247newz
- Tiktok: Turo247newz
You may like
Entertainment
He fought a 15-year legal battle for rights to his songs – Mike Ejeagha Documentary director [Pulse Inteview]
Published
5 hours agoon
December 17, 2024By
JulieHe fought a 15-year – He fought a 15-year…
He fought a 15-year – Mike Ejeagha is a…
Mike Ejeagha is a folk musician popular among South-Easterners for his unique storytelling through music.
Ejeagha has woven the cultural essence of the Igbo people into each of his songs.
However, his music had long been relegated to the archives of Nigerian history, until an unexpected event changed the course as comedian Brain Jotter sampled one of Ejeagha’s iconic tracks, birthing the viral “Gwo gwo gwo ngwo” trend on social media
This viral moment sparked a resurgence of interest in the legendary musician’s work, with young Nigerians reconnecting with the rhythms and storytelling that Ejeagha’s music embodies. As though designed by providence, a documentary about his life and influence was already in the works before this Renaissance, thrusting the forgotten legend back into the cultural limelight.
The documentary, set to be released to the public for the first time on December 21, 2024, captures Ejeagha’s remarkable journey as well as his deep connection to the Igbo people, their traditions, and the impact his music has had over the years.
Pulse Nigeria recently sat down with Michael Chineme Ike, the director of the Mike Ejeagha Documentary to discuss this unique journey of rediscovery, the challenges of bringing the story to life, and the importance of preserving the legacy of artists like Ejeagha.
This interview has been edited for clarity and length.
What inspired you to create a documentary about Mike Ejeagha?
As a kid growing up in Igbo land, I listened to Mike Ejeagha’s music and it was always unique how every one of his songs taught a moral lesson. I learnt that it’s wrong to steal from his song "Onye ori Utaba". I didn’t know him or meet him personally but I loved his music. Decades later, almost everyone like myself thought he was late, until somehow his story appeared online when Amarachi Attamah and Charles Ogbu brought to the public notice that the legend is alive but more than that, he is living in poverty. This was sad. I didn’t have money to donate but decided to use my filmmaking skills to give the man a much bigger gift: a legacy that no other Igbo legend has had the pleasure of experiencing. And what’s more important than doing this and celebrating him while he is still alive with us?
How did you go about researching Mike Ejeagha’s life and work?
It wasn’t easy. The internet doesn’t have so much about his life. I had to visit the family and interview him and his children. He was already very old and could barely talk properly or remember things. I also researched his work experience and visited people who had the opportunity to work with him in the past. Most were dead but those I could find were able to provide so many details about the man and his exploits that helped form the story.
What were some of the challenges you faced while working on this documentary?
Well, there is funding. Filming documentaries isn’t cheap and I learnt that the hard way as this was the first documentary film I embarked on in my career. As documentaries aren’t great money-making ventures, getting people to invest in the project was also hard, so I had to carry most of the cross. Another major challenge was the lack of archival footage to help with visuals in the documentary. Mike Ejeagha lived in a time with little or no digital video recordings, so there was almost nothing to be found of him on the internet.
He doesn’t have much at home either and even TV stations he worked with gave excuses like a fire incident in the past burning up videos of his programs on TV. These things made it hard for us. But thanks to the extra efforts from my team and me, we were able to dig deeper and also got some with the help of AI. We then created more scenarios from stories we got from our research and interviews.
READ ALSO: Mercy Aigbe’s December release, ‘Thin Line’ makes ₦28.5 million since its release
Can you share any special or surprising discoveries you made about Ejeagha during the production?
To avoid any spoilers, I discovered that while the world had thought that Mike Ejeagha was dead, the man was simply battling a long legal battle with his record label over the rights to use his songs and make music videos out of it. This lasted for over 15 years until the Enugu State Government stepped in. I also found out that he contributed over 200 songs to the National Archives, a rare feat that many people were unaware of.
How did Brain Jotter’s use of Mike Ejeagha’s song impact your work on the documentary?
I had long started and even concluded interviews for the project before BrainJotter did what he did. However, I was in a stalled moment due to funds preventing me from going immediately into post-production. When the dance went viral, many people who knew about my project advised that it was best to release the project in the heat of the moment, little did they know I would love to but the issue of funds persisted. Eventually, I did get some help with a last-minute investment from Charles Ogbu who has been like a son to Mike Ejeagha and I was able to get things rolling again. Thank God, I’m able to finish soon enough and here we are today, about to premiere with the trend still fresh in people’s minds.
Do you think the trend revived public interest in Mike Ejeagha or were people already nostalgic about his music?
Mike Ejeagha’s music is unique and many people loved it. But in this Gen Z generation, I would say Brain Jotter’s dance trend did play a very key role in reviving public interest in the man. In fact, his music was more popular than himself and many people didn’t even know who he was or that he was still alive. The trend did help a lot.
Did the trend influence any creative choices you made in the documentary?
In a way, yes. One of Mike’s music, titled "Uwa mgbede ka mma" loosely translates to he who laughs last, laughs best. We can say that after going through all the life challenges he went through, the universe decided to bless him during his last days on earth. This helped to bring a perfect ending to the documentary because he was still alive. We couldn’t have possibly ended with his death. The Brain Jotter trend, his story revival which even attracted the state governor and many prominent persons to him, was a perfect and emotional end to the project.
What role do you think social media plays in preserving cultural icons like Mike Ejeagha?
Social media plays a transformative role in preserving cultural icons like Mike Ejeagha by creating a global platform for their stories and works to be rediscovered and celebrated. It helps amplify their legacy, making it accessible to younger generations who may not have experienced their contributions firsthand. Through social media, fans and supporters can share memories, performances, and interviews, keeping their influence alive. In Mike Ejeagha’s case, platforms like Facebook and YouTube have become archives for his music and storytelling, while influencers and cultural enthusiasts spark conversations around his impact. Social media also facilitates advocacy, as seen when fans and activists rallied support during his legal battles and for his recent recognition. It bridges the gap between generations, ensuring that the essence of his artistry and Igbo culture continues to inspire a global audience.
What message do you hope audiences take away from this documentary?
Do you have plans to work on more documentaries about Nigerian folk legends or other cultural icons?
Related
Turo247News is on WhatsApp!
CLICK HERE TO JOINShare News with us via Email: turo247newz.com@gmail.com
Join Our Social Media Channels- WhatsApp: Turo247 News Room
- Facebook: Turo247newz
- Twitter: @turo247newz
- Instagram: @turo247newz
- Tiktok: Turo247newz
Entertainment
I wish I met you before the wrong person – Portable's baby mama tells new man
Published
8 hours agoon
December 17, 2024By
JulieI wish I met – I wish I met…
I wish I met – Singer Portable’s second baby…
Singer Portable’s second baby mama, Honey Berry, has taken to social media to appreciate her new man, and people say she subtly shaded you know who in the process.
Taking to Instagram on December 16, 2024, Honey Berry posted a video of herself and her partner to her Instagram page and expressed heartfelt affection for him, writing, “It’s Monday 👩❤️💋👨 Baby I want you to know that you are the love of my life,❤️that your soul and mine are one in the same,and that I will love you a million lifetimes from now! You have no idea how happy you make me sweetheart.👩❤️💋👨”
“I will spend my life making you as happy as you make me. I just love you so damn much.🥰We share such an amazing one of a kind love they is so pure and so true.💕Tonight you just have my heart overflowing. I just wish you were here so l could cook for you and watch a movie together. Sweetheart I cannot wait to be holding you again.💃I hope you have a good night and sleep well my angel.I love you baby Love you from the very depths of my soul,” she added.
undefined
Though sweet and warm, Berry’s last statement, “I wish had met you before the wrong 💔person🤮🤮,” sparked reactions from social media users, with many believing that it was shade thrown at Portable.
“Na only this girl get sense among portable baby mama’s 😂I know she will be regretting knowing portable for her life,” said an Instagram user in the comments.
Another comment read, “Sisterhood is proud of you, my Baby”
“Portable don set ring light 😂,”said another person.
Another Instagram user asked, “Who be the wrong person ejoor? 😂”
Recall that in 2023, Honey Berry and Portable had a public spat after she took to her Instagram live session to angrily call the singer out for abandoning their child, revealing that he has been missing in action for the past four months. Honey Berry also alleged that her baby daddy tried to create a rift between her and his first wife Bewaji by only posting her.
Related
Turo247News is on WhatsApp!
CLICK HERE TO JOINShare News with us via Email: turo247newz.com@gmail.com
Join Our Social Media Channels- WhatsApp: Turo247 News Room
- Facebook: Turo247newz
- Twitter: @turo247newz
- Instagram: @turo247newz
- Tiktok: Turo247newz
Entertainment
Mercy Aigbe's December release, ‘Thin Line’ makes ₦28.5 million since its release
Published
11 hours agoon
December 17, 2024By
JulieMercy Aigbe's December release, – Mercy Aigbe's December release,…
Mercy Aigbe's December release, – Nollywood actress and producer…
Nollywood actress and producer Mercy Aigbe’s Thin Line has grossed ₦28.5 million at the box office since its release on December 13, 2024.
Thinline is up against tough competition this December from other high-budget holiday films, including projects from Funke Akindele, Toyin Abraham, Ayo “AY” Makun, and Ghanaian director Peter Sedufia. However, with December being a prime month for the industry, Thinline has already established itself as a strong contender for audiences looking for an engaging drama this festive season.
Distributed by Cinemax, the film is a compelling drama that delves into themes of faith, betrayal, and redemption, drawing audiences in with its intense narrative.
Starring Uzo Arukwe, Jaiye Kuti, Cute Abiola, Yvonne Jegede, and others, the film is directed by Akay Mason. Before its nationwide release, Thinline already raked in N3.5 million from advanced screenings.
READ ALSO: Why some Nigerians ‘can’t deal’ with Nollywood films
Mercy Aigbe has established herself as a powerhouse in the Nigerian film industry. In 2016, she took a significant step towards nurturing new talent by founding the Mercy Aigbe Gentry School of Drama. Renowned for her versatility and commanding presence, Aigbe has starred in and produced countless films, earning her a reputation as one of Nollywood’s most influential actresses.
Aigbe’s impact is still growing. This year, she made major waves with two blockbuster films: Farmer’s Bride, which grossed over N100 million, and Beast of Two Worlds, which earned over N200 million after its cinema run.
Related
Turo247News is on WhatsApp!
CLICK HERE TO JOINShare News with us via Email: turo247newz.com@gmail.com
Join Our Social Media Channels- WhatsApp: Turo247 News Room
- Facebook: Turo247newz
- Twitter: @turo247newz
- Instagram: @turo247newz
- Tiktok: Turo247newz
- News3 weeks ago
PH refinery yet to commence bulk sales – NNPCL debunks petrol price reduction
- turo247xpress logistics2 weeks ago
The Importance of Express Delivery Services for Businesses
- turo247xpress logistics2 weeks ago
Affordable Courier Services Near Me: Quick, Reliable & Budget-Friendly Deliveries
- turo247xpress logistics2 weeks ago
Need Urgent Delivery in Lagos? Turo247xpress Logistics Has You Covered!
- turo247xpress logistics2 weeks ago
Same Day Delivery Services in Lagos: Fast, Reliable Shipping with Turo247xpress Logistics
- Politics2 weeks ago
Rivers APC Leadership: Okocha Appointed as Substantive Chairman
- Lifestyle2 weeks ago
How to Keep Your Home Dust-Free During Harmattan
- Movies2 weeks ago
“Mz Vick Reveals Why ‘A Ghetto Love Story’ Was Created: Affordability Key to Its Production”