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Kizz Daniel Drops 2 New Singles ‘Marhaba’ & ‘We Must’ for ‘Vado at 10’ Anniversary Celebration

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Kizz Daniel Drops 2 New Singles ‘Marhaba’ & ‘We Must’ for ‘Vado at 10’ Anniversary Celebration, These new tracks are part of the ongoing festivities surrounding his ‘Vado At 10’ anniversary, commemorating 10 years of groundbreaking hits, global recognition, and unwavering fan support.

‘Marhaba’, produced by the gifted dyad, Ramii and Suhel Nafar, combines Kizz Daniel’s signature sound with fresh, innovative beats, blending Afrobeats with Northern African traditional music influences. The track promises to resonate with fans both at home and globally, adding another layer to his rich musical portfolio.

The Arabic word ‘Marhaba,’ which translates to ‘Welcome/hello’ in English, is one of the most widely used expressions in Northern Africa and the Middle East. It deeply resonated with Kizz Daniel during his short but memorable time there and served as a major influence in the creation of the song.

This not only showcases Kizz Daniel’s ability to create music that cuts across several continents and cultures but also highlights his unique talent in uniting diverse audiences. By weaving global influences into his sound, he continues to elevate Afrobeats on the world stage, bridging the gap between nations through the universal language of music.

Meanwhile, ‘We Must’, produced by the acclaimed Ayzed, known for his successful collaborations with Kizz Daniel and prolific Nigerian producer Blaisebeats, is a song sure on its way to becoming a household anthem that speaks to resilience and determination.


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The song’s rhythmic energy and inspiring lyrics make it a standout moment in Kizz Daniel’s anniversary celebrations, capturing the essence of his decade-long journey in the music industry. Originally envisioning a collaboration with a top UK rapper to infuse a gritty grime vibe into the track, delays in receiving the verse led him to take matters into his own hands. Rather than waiting, Kizz Daniel decided to step into the grime genre himself, delivering the verse and turning the song into a solo effort.

This bold move inspired the track’s unique credit: ‘We Must’ — Kizz Daniel featuring Thyself. It highlights his versatility and determination to push creative boundaries while staying true to his vision.

These new releases further solidify Kizz Daniel as one of Afrobeats’ most influential artists, adding depth to his already celebrated catalog. Both tracks showcase his versatility and ability to evolve while staying true to his signature sound. With ‘Marhaba’ and ‘We Must’, Kizz Daniel not only delivers hit-worthy singles but also redefines his legacy, proving his consistency and adaptability over the last decade.

As he continues to release groundbreaking music, these songs stand as a testament to his artistic growth and enduring relevance in the global music scene. With each release, Kizz Daniel sets a new standard in Afrobeats, inspiring both his peers and upcoming artists alike.

Since bursting onto the scene with his cult-classic debut single ‘Woju’ in 2014, Kizz Daniel has continued to lead from the front when it comes to Afrobeats music. His debut album New Era was The Headies ‘Album of the Year’ in 2016, and he was nominated for The Future Awards Africa the following year.

Driven by the massive hit track ‘Nesesari’, Kizz Daniel’s 2018 sophomore album No Bad Songz topped the iTunes World Album Chart on its first day of release. Since 2020, the Nigerian sensation has released four critically acclaimed projects, King Of Love, Barnabas, Maverick, and TZA, birthing essential Afropop tracks like ‘Boys Are Bad’, ‘Lie’, ‘Rich Till I Die’, and ‘Twe Twe’.

With over four billion streams under his belt, two Shazam chart-topping singles, sold-out tours across Africa, North America, and Europe, and over 25 million social media fans, Kizz Daniel is one of the leading figures at the forefront, representing Afrobeats on the world stage.

The enigmatic musician is the epitome of an all-round entertainer with a magnetic tone, captivating lyrics, alluring stage and screen presence, and an undeniably infectious musicality, which are just some of the irrefutable characteristics of all his songs, cutting across Afrobeats, Pop, and R&B music, from classic cut ‘Nesesari’ to chart-topper ‘Buga’ to fan-favourite ‘Cough (Odo)’, and everything in between.

After coming off of a very eventful 2022 that saw the global music sensation achieve huge milestones of being crowned the most streamed artist in Africa in the first half of the year, releasing the biggest Afrobeats song of the summer with ‘Buga’, and performing at the 2022 World Cup opening ceremony with Diplo and Calvin Harris, 2023 shaped up to be an even bigger year for Kizz Daniel, with the success of his fourth studio album Maverick, his Essence Festival headline performance, and chart-topping collaboration with Becky G among his many highlights last tear.

So far in 2024, Kizz Daniel has been celebrating a decade at the top of Afrobeats music via his ‘Vado At 10’ world tour.


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PHOTOS: Genevieve Nnaji turns heads in chic black dress for 46th birthday

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Veteran Nollywood actress Genevieve Nnaji showed how much of a Nigerian movie royalty she is in her chic and elegant dress for her 46th birthday.

The iconic actress served serious style as she wore a simple yet sophisticated dress for her birthday look.

At 46 years old, she effortlessly pulled off an outfit that had her looking every inch a Gen Z “baddie”. The outfit, a black one-sleeve dress with a thigh-high slit, paired with jewellery and a sharp pixie cut that brought the whole look together.

She shared five of these absolutely gorgeous pictures on her Instagram page with her almost 8.5 million followers.

ALSO READ: Genevieve Nnaji claps back at trolls on X

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The screen goddess, known for her timeless beauty and grace, was also treated to a surprise birthday bash by friends at what appears to be a club.


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Barry Jhay sings for fame on 'Barry Star Vol. 1'

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Barry Jhay is a striking voice in Nigerian music. His emotive melodies and poignant lyrics are a major contributor to the melancholy that has increased the use case for Afro-Adura (emo street pop).

It’s this capacity to make one feel things that have drawn him to many listeners whose reality his music documents and even to those who find comfort in his soothing melodies.

On ‘Barry Star Vol 1,’ he trades his poignant melodies for more ambitious pop flows that communicate his desire for a larger role in the Nigerian mainstream.

For his day-one fans, the album largely feels like Barry Jhay discarded the bond they share. However, some moments allow for an appreciation of his ambition and inspire these fans to follow him on his new adventure.

Like most Afrobeats stars, Barry Jhay combines indigenous language, in his case Yoruba, with English and Pidgin to convey his thoughts.

Drawing from the rich melodies of his late father, the iconic Fuji music pioneer Alhaji Sikiru Ayinde Barrister, Barry Jhay kicks off his new adventure by committing it into divine hands like an artist inspired by typical fuji stars whose performances open with a divine acknowledgment.

Barry Jhay’s mainstream ambition is communicated via a change in cadence and production rather than is change in thought.

He embraces an uptempo beat punctuated by log drums in ‘Eskelebebe’, whose title is coined from famous Afrobeats slang to convey the familiar desire for success.

“I no go dull,” is the message that unites young men whose realities are shaped by a society where snoozing is unforgivable.


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He restates his desire for success and trust in divine guidance on the ‘Do Not Disturb’ where his flow is reminiscent of the punchy fuji and hip-hop-infused delivery coined and popularised by Afrobeats superstar Asake.

He punches with melodic rap flows on ‘Never Stop’ where he recruits Blvk H3ro whose soothing dancehall melodies complement his message of individuality and heavy reliance on divine grace that shapes Afro Adura.

The two-song run of ‘Do Not Disturb’ and ‘Never Stop’ offers a moment that gives fans a reason to follow him in his new pop star adventure.

While Barry Jhay might be looking at the strides of Asake and Seyi Vibes, both stars who embrace indigenous Yoruba music for mainstream success, his thoughts are still strongly tethered to the Afro Adura realm than the chest-thumping, party-starting, and romance meets desire subtexts that define Afropop.

On ‘Rest,’ he embraces log drums to sing about ambition fanned by a philosophy of individuality, another famous staple from the Afro-Adura school of thought.

He tapped into his new party starter side on ‘Kilonso‘ where his uptempo flow is capable of embracing new listeners while equally alienating older ones who will struggle to find him in the track.

It’s this inability to effectively sell his new side that forms the disconnect many of his Day 1 listeners, including this writer, suffer at the album’s midpoint.

Barry Jhay’s ambition aims to embrace Afrobeats’ heavily populated UK base with the Swing cadence he displayed on ‘Same Old Shit’ which lacks a retentive part.

While his versatility shows over the Drill beat of ‘What A Life,’ the song struggles to find a balance between his singing, melodic rap flows, and the swagger needed to deliver on such a beat.

While largely being a foray into new territory, familiar parts of Barry Jhay still shine as he finds a striking balance on ‘See Me See God’, which is one of the better tracks on the album.


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OdumoduBlvck advises budding artists against taking upfront payment from record labels

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Nigerian rapper OdumoduBlvck has given some advice to up-and-coming artists regarding dealing with record labels at the early stages of their careers.

The rapper who was recently crowned Next Rated award at the just concluded 17th Headies Awards dropped the advice on his X page.

The ‘Wotowoto Seasoning’ singer strongly warned up-and-coming artists to take caution when dealing with record labels regarding advances.

He emphasised the need for up-and-coming artists to be patient and hardworking, urging them to focus on developing their craft until they are well and truly ready.

ALSO READ: I was talking about Jesus and they tried to shut me down – Odumodublvck

He wrote, “Dear upcoming artist, if you know your music is not ripe, stay away from an advance.

You do not want to be owing an organisation so much money. You will die a debtor, please heed to my advice. Be patience and work hard till you are ready, please.”

Like OdumoduBlvck, singer and songwriter Wande Coal also dropped a message for up-and-coming artists on his X page.

Wande Coal’s message came in the form of a question and a message to up-and-coming artists to ensure they are very certain they want to get into the music business.


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He wrote, “Are you sure you really want to do this music business? You must be very sure oooo.”

Recall that when OdumoduBlvck won the Next Rated at the Headies last Sunday, he shared a heartfelt story about his mother’s journey, revealing that she gave birth to him in her late thirties and she always knew he was destined for greatness.

ALSO READ: Davido tells OdumoduBlvck the importance of winning the Headies Next Rated prize

He expressed his deep gratitude to his mother, dedicating the award to her and acknowledging the special bond they share as mother and son.


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